Author: tworuru

  • Shut Up To Succeed

    Shut Up To Succeed

    There’s this skit at the opening of the Tenacious D song “Kielbasa” that starts with KG saying “Dude, we gotta fucken write something,” and because I got into the D at an impressionable age and the lyrics are burned into my hippocampus with letters of fire, I think of this song every damn time I’m behind on a deadline, which is most of the time. And yet I resisted writing this piece, for a few reasons.

    One is that I’m spooked by success. A few years back, I did a tight five minutes at a comedy open mic. I’d done stand-up sets before, to varying results, including quite a lot of laughter and at least one obligatory crash and burn. This time I was determined to get it right and I did. I learned the material backwards, including a few alternative paths should a particular punchline flop, the crowd laughed their collective asses off and I left the stage on a high. “That was brilliant!” I thought. “I can’t wait to do that again,” and I never have.

    The other reason I’ve been avoiding writing this particular piece is that I’m not sure that telling people about what I’m looking to achieve is a good idea. You may have heard, as many who’ve read self-help have, that you need to make your goals public, or tell people what you’re trying to achieve, for reasons of “accountability.” Many, including Tim Ferris, suggest publicly announcing your goal, or making a bet with a friend (if I don’t do X by Y, you get to keep $Z dollars.)1

    The idea is that publicly announcing a goal will help hold you accountable. But, as is usual in the field of self-help, the advice is wildly conflicting. Many authors suggest telling no-one (or as few people as possible) about what your goal is or what you’re working on. According to numerous sources, some of them credible, telling people your goals can affect the likelihood of achieving them.

    Naturally, I’ve just Googled the topic, and I’ve immediately hit someone taking the bit way too damn far, because that’s always how it goes in this ridiculous field. “Why telling your goals is a fatal mistake” screams one of the first Google hits. Fatal? Really? Unless the goal is “skydive without training” or “build an electric blanket from scratch” I doubt it’s going to be deadly, but let’s find out. The piece, which I nearly stopped reading in the second paragraph when it mentioned neuro-linguistic programming, is by a bloke called Peter Shallard. He describes himself as “a renowned business psychology expert and therapist gone renegade.” This last seems accurate: his “About” page contains no formal qualifications.

    It suggests that if you tell people about what you’re up to, it can give you the same kind of mental reward as actually doing the thing you’re telling everyone about. Just because I’m cynical about Shallard’s qualifications doesn’t mean it’s all a load of rubbish, though. Other pieces by more credible authors — like Atomic Habits mega-seller James Clear — suggest the same effect.

    If that’s right, it’s a bit cooked for me, because I have a newsletter that’s about all the different self-help shit that I do, and telling you about it may be dooming everything I try. Having an audience for my stuff hasn’t helped me achieve my big goal, which was to post regularly: if anything, it’s made it harder. Some people pay me actual money for this writing, others seem to like it enough to hang around for each epistle, and this frankly freaks me out a bit. I always worry that I’m disappointing you.

    Fortunately, when you dig into the research it gets both vague and highly specific. Good science tends to come loaded with caveats, and the original paper that everyone references, by a bloke called Peter M Gollwitzer, is no exception. As you can read for yourself, the experiments in the study have a rather tangential connection to reality. They measured whether students would do stuff like “watch videotaped study sessions for slightly longer” or “compare yourself to variously-sized cartoons of lawyers and indicate which one you feel most similar to.”2

    I’m not mocking this. It’s real science, the conclusions are both interesting and valuable, but they’re not necessarily broadly applicable to the real world. That never stops self-help writers from immediately making it so, though.

    Where does that leave us? Is it a yeah or a nah on telling people about your goals? How about: why not both, or neither? I think the answer depends on what sort of person you are, or what kind of goal you have in mind. If you’re the sort of person who really needs others to give you a rev up, by all means tell a few specific people about what you’re trying to achieve. Or if you thrive on working on something in secret to surprise people later down the line, do that. Curiously, this approach gels with some of the research I mentioned above, which suggests that if your goal is founded in identity — “I wanna be a gym guy/gal/nonbinarino” — then telling people about it is likely to reduce the effectiveness of the goal. But if it’s founded in something more specific — “I wanna bench press 100 kilos” — then the identity condition might not apply, and perhaps it’ll be helpful to tell others or otherwise have people help you out.

    All the above is my long-winded way of telling you that, somehow, I’ve managed to consistently go to the gym for a few months now.

    Again, caveats. I am using the word “consistently” slightly outside of its conventional calibration. I’ve noted the date of each gym session since August, during which I managed to go a grand total of four times. In September I went three times, a 25 percent decline, but October picked up nicely with seven attendances. In November I went nine times, and so far in December I’ve managed to go every other day.

    Improbably, I love it.

    I can’t quite put my finger on what changed: the nearest thing I can compare it to is the same buzzy “I hate this, but I like it” feeling I get from taking cold showers — and I’ve been doing those for well over a year now. I’ve also refined my workout a bit: I followed a plan one of the gym trainers set me for a while, and now I’ve shifted to a strength-building workout that’s easy to understand, hard to master, and never stops getting harder.

    The other reason I like the gym now is that it’s working. A while back I noticed that a bunch of my favourite t-shirts were getting too small. I’d definitely outgrown shirts before, usually around the tum region, but this was a bit different. They were pulling up at the shoulders and into my armpits. Never mind, they were going to holes anyway. I consigned them to the painting-rag box.

    Then it started happening to younger shirts, and I couldn’t pretend that it was anything to do with the age of my shirts or our washing machine. I’ve got bigger, in a way I wanted and planned and worked to get bigger, and that is very satisfying. Much more importantly, the numbers on the Heavy Metal Things are going up, too. In August I was knocking around a 40 kilo bench press and drawing this not-smiley face next to it: 😐

    Today, my best bench press is close to double my August numbers. The emoji has changed to this: 🤨

    The "They said I could be anything, so I became a cloud" meme, featuring a muscular gentleman surrounded by admirers.
    This isn’t the plan, but the meme is timeless so I made sure to include it.

    Back when I started this newsletter, I was using how many pull-ups I could(n’t) do as a success metric. I stopped updating progress because I was embarrassed the number wasn’t going up, which is what happens when you don’t, uh, work out. But I do now, and the numbers are in: I’m doing 20+ pull-ups in a given gym session — and that’s in between my other exercises. I’m pretty pleased with that. Pull-ups are hard. But it’s still early days. I have a specific and quite ambitious goal in mind for how much I’d like to be able to lift: the goal is to bench-press 100 kilos, and to be able to do a muscle-up, which is probably the most aptly-named callisthenic exercise in existence.

    No-one except Louise and my t-shirts has noticed that I’m going to the gym, but I’d like to think that’s not why I’m going. I read once that, one day, you pick up your child for the last time, and — as an older dad — I want to delay that day for as long as possible. If I keep tracking the way I am now, I’ll still be able to yeet my boy Leo well into adulthood, and that’s exactly how I want it.

    Hopefully telling you about it won’t stop it from happening.


    I originally titled this newsletter “Harder, Better, Faster, Shorter” not just to get the Daft Punk song in your head but because it was meant to be shorter than normal. That hasn’t worked out, but oh well. Substack lets you do surveys, so I’ll pop this one here – I want to find out what kind of newsletter frequency you’re actually after here.

    And, as usual, I look forward to chatting in the comments.


    1. Hilariously, Tim suggests 1 percent of your income as a decent amount to wager, which gives me a great idea for a business taking advantage of serial over-committers.

    2. It’s almost always students. No-one else is at enough of a loose end to voluntarily do psych research.

  • The Hand That Feeds

    The Hand That Feeds

    A short lunchtime post today. Let’s begin with a (gift) link to an Atlantic story revealing Substack’s Nazi problem. How bad is is it here? This bad:

    At least 16 of the newsletters that I reviewed have overt Nazi symbols, including the swastika and the sonnenrad, in their logos or in prominent graphics. Andkon’s Reich Press, for example, calls itself “a National Socialist newsletter”; its logo shows Nazi banners on Berlin’s Brandenburg Gate, and one recent post features a racist caricature of a Chinese person. A Substack called White-Papers, bearing the tagline “Your pro-White policy destination,” is one of several that openly promote the “Great Replacement” conspiracy theory that inspired deadly mass shootings at a Pittsburgh, Pennsylvania, synagogue; two Christchurch, New Zealand, mosques; an El Paso, Texas, Walmart; and a Buffalo, New York, supermarket. Other newsletters make prominent references to the “Jewish Question.” Several are run by nationally prominent white nationalists; at least four are run by organizers of the 2017 “Unite the Right” rally in Charlottesville, Virginia—including the rally’s most notorious organizer, Richard Spencer.

    The rest of the article is just as damning. I am only annoyed that I didn’t write about it myself; Nazi content on this website isn’t hard to find, and I could have reported on it much earlier. That said, I am glad that a mainstream publication is addressing the issue.

    It’s been known about for a long time, and Substack, to its enormous discredit, has done nothing about it. Instead, they’ve worked to explicitly elevate “alt-right” types like Richard Hanania, with this simpering puff piece and accompanying podcast by Substack cofounder Hamish McKenzie. When Huffington Post writer Christopher Mathias revealed Haniana’s past as an overt white supremacist writing under the pseudonym “Richard Hoste,” Substack’s silence was deafening. They did not retract or otherwise repudiate their article, or even really address the controversy. As the Atlantic article makes clear, Substack already has terms of use that ban “hate,” but they’re not enforcing them. Instead they’re striving to be edgy, sucking up to weirdo Silicon Valley accelerationists, and making cringeworthy ads:

    Please note this isn’t about encouraging “free speech,” a position I have a lot of sympathy for, because Substack aren’t genuine free speech maximalists. If they were, they’d allow all non-criminal speech, including explicitly protected and legal forms of free speech like pornography and other kinds of sex work. They don’t, and this makes them free speech hypocrites.

    The "are we the baddies?" meme bit from Mitchell and Webb

    With Substack’s Nazi problem now very much out in the open, the platform now has a choice: enforce their terms of use and evict the vile people who make a living (and make money for Substack) by peddling overt hate to huge audiences, or maintain their current course and become a Nazi bar. I suspect they’ll pick option B, which sucks. I have good friends who make their entire living from writing on Substack and the platform’s hypocritical, ideologically inconsistent free-speech-for-Nazis-but-not-for-boobies policy is putting writers in a terrible position. If they stay, it looks like they’re okay with being on a platform that doesn’t just permit but promotes hate. If they leave, they risk losing their livelihood.

    Clearly, organised opposition is what’s needed. If this site’s writers banded together and threatened to leave Substack en masse, the resulting revenue hit might make continued Nazi-coddling untenable. Writers are already organising:

    In my opinion, the choice is stark: if you’re a non-Nazi writer who objects to Substack making money from white supremacists (not to mention this site’s vast swathe of TERF writers and culture-war contrarians) you should make this extremely clear to the site founders, ideally in an organised, public way that doesn’t allow for individualised, targeted pushback. You could look to leave altogether, taking your subscribers and their revenue elsewhere: there are other subscription email providers that either have ideologically consistent free speech policies — allowing all legal speech, not carving out convenient exceptions for Nazis — or that don’t go out of their way to promote Nazis at all. Revolutionary stuff! Here are some alternatives:

    Buttondown

    Buttondown is not “free” in the way Substack is (Substack takes a big cut of your subscriptions) but they’re an inexpensive option for independent publishers. Also they seem like good sorts on social, without any pretence of “creating a new economic engine for culture.”1

    Here’s Buttondown’s Substack migration guide, including moving your paid subs.

    Ghost

    Ghost Pro is a very Substack-like experience for your newsletter and subscribers, with the option to self-host if you’re a tinkerer.

    Here’s Ghost’s Substack migration guide, including moving your paid subs.

    WordPress

    WordPress.com’s Newsletter product now offers a paid email subscription option, including the ability to connect your existing Stripe account for paid subs.

    There are other options out there too. For my part — as all my posts here and at The Cynic’s Guide To Self Improvement are free anyway — I will definitely be moving my newsletters to another platform if Substack doesn’t come up with a satisfactory response to their Nazi problem. It’s long overdue.


    1. Also, nerd alert, it *lets you write in Markdown.* God I love Markdown. Every internet writing system should let users use Markdown.

  • Yeet your phone

    Yeet your phone

    A few weeks back, I noticed my iPhone screen-time averages were starting get a bit silly. Like a lot of smartphone users, my device is set up to passively scold me for how long I use it, and last week it informed me that my use time was down slightly to an average of just… three hours a day.

    This meant my average time the previous week was close to four hours a day.

    “I had my reasons!” I reasoned. There are lots of apps I use for work — Gmail, Slack, others. I’d written a time-consuming and fraught article on Christian Zionism for Webworm and I’d spent a lot of time popping in on the Substack app to check on the comments. And there was, uh, Instagram. Gotta check the ‘gram, right? How else would I know what my rapidly ageing millenial cohort were up to?

    But four hours seemed excessive.

    At the risk of pointing out the obvious, there are only 24 hours in a day, and 8 of them (if you’re lucky) you spend asleep, so four hours is… a lot. There’s lots of other things I want to be doing, not least of which is consistently updating my self-improvement newsletter.

    I started writing this article, and then I was taken with the sudden urge to Do The Maths.

    It was very depressing, and it went like this:


    Let’s assume I’ve spent three hours a day on a smartphone since I got my first one. It was more than 10 years ago, but we’ll be generous and allow for just one decade of smartphone use. What’s more, we’ll say that I only used it for three hours a day for six days a week. Inventing a kind of smartphone Sabbath should allow for any days I used it less than three hours.

    So. There are 52 weeks in a year. Multiply 52 by 6 and that gives us 312: how many days I use my phone in a given year.

    (Ironically, I am using my smartphone’s calculator app to do these calculations.)

    Multiply 312 by the 3 hours a day I use my phone and I get 936. Nine hundred and thirty six hours a year.

    Shit.

    Let’s multiply those 936 hours by 10 years and that gives us… 9,360 hours over the last decade. God.

    How many total days is that?

    Break out the division. 9360 hours divided by the 24 hours in a day will give us the total number of days.

    It’s 390.

    Three hundred and ninety days.

    Fifty-five weeks and four days.

    About one year and one month.

    It’s the equivalent of being on my phone continuously, day and night, without stopping, for more than a year.

    What?!

    I must have the maths wrong. I check it with my wife. She’s a primary school teacher, this kind of maths is her bread and butter.

    (At this point I really did go upstairs and check the preceding paragraphs with Louise.)

    Unfortunately, I am right.


    It’s not just me. And it’s not just you. Estimates of average daily smartphone use vary, but reputable studies put it at between 2 hours a day (at the low end) and almost 6 hours a day (at the high end.)

    What’s more, the only thing more popular than smartphones might be the desperate search to disconnect from the damn things. Scratch the surface and the articles are everywhere: “Device-addicted parents struggling to curb kid’s screen time,” worries an RNZ headline, with a buried lede that parents are struggling even more to curb their own screen time. Linked in the RNZ story is a piece by NYU professor John Haidt with the (contested) theory that “Social Media is a Major Cause of the Mental Illness Epidemic in Teen Girls.” Meanwhile, the Spinoff has a helpful power ranking of all the ways writer Madeleine Holden has tried to curb her own smartphone addiction, and advice columnist Hera Lindsey Bird has a …broad spectrum of suggestions:

    There are easy things you can do to limit how interesting your phone is. Mute all but essential notifications. Make everything grayscale. Kill every potential source of dopamine. You could get an alarm clock, or even better, a clock radio. You could charge your phone in another room. You could swap your phone for a fax machine. You could swap that fax machine for a water blaster, and comprehensively clean all your walkways.

    Take all these anecdotes of compulsive use, add users’ desperate desire to quit, and you’ve got something that looks a lot like an addiction. There are plenty of people who’ll tell you that this waddling, quacking bird is definitely a duck. If you’ve ever searched the topic you’ll be familiar with explanations like this one from Stanford professor Anna Lembke, who suggests our smartphones have turned us into “dopamine addicts.”

    “We can very quickly then get into this vicious cycle, where we’re not reaching for something to feel good, but rather to feel normal or to stop feeling bad.”

    Continuous over stimulation of the brain’s pleasure pathways worsens the situation, she says.

    “If I continue to bombard my brain’s reward pathway with these highly reinforcing drugs and behaviours, I eventually end up with so many Gremlins on the pain side of my balance, that not only do I need more and more to get the same effect, but when I’m not using, I’m in a dopamine deficit state, I’ve got a balance tilted to the side of pain.

    “I experience the universal symptoms of withdrawal from any addictive substance, anxiety, irritability, depression, insomnia, craving. And I will then seek out that drug not to feel pleasure, but just to stop feeling pain.”

    It seems clear that smartphones can be addictive, but there’s always the danger — as so many self-taught self-improvement influencers do — of biffing babies out with the dopamine bathwater. Thanks (ironically) to my unhealthy YouTube habit, I’m exposed almost constantly to people who pick up the notion of “dopamine fasting” and run off a cliff with it. To make some points that should be obvious: Smartphone use is not a closed loop, there are an infinity of things that make people happy or sad that predate smartphones by a few hundred thousand years, and you need dopamine to live. The list of extremely legitimate reasons to use smartphones is long. In many countries, the villages that we need to live and work and raise children are all but gone, and in place of spaces where we walked and talked together are a billion lonely boxes, each containing social creatures with a desperate need to reach out. If you can’t do physical, then digital will do. If you’re a new mum, nap-trapped by an infant, sending memes to your mates might be what’s keeping you sane. And if you are an activist or a journalist or a politician or an artist or one of any number of things, a huge part of your job takes place in online social spaces, and you need to Post.

    And for years, that’s what I’ve told myself: I’m an artist, and I write, and I need to be online. Reading an article or ten feels like virtous work, as does scrubbing through a tutorial on YouTube. What I watch is often deeply entwined with my identity. And it has to be said that screens are, in many ways, wonderful. During the pandemic, I could keep in touch with family and friends all over the world. My son knows his grandparents and cousins by sight; in ye olden 90s we would have made do with voice-only phone calls, photos and (if we were lucky) a videotape. Having all the world’s knowledge, a high-powered camera, and even a calculator (take that, maths teachers) with me at all times is a boon.

    Yet. These days, as I scroll, it’s accompanied with the feeling that I’ve been conned. Looking at the numbers, it’s clear: I’ve spent more than a year of my life on smartphones and the return on investment is terrible. You could excuse the sheer amount of time spent if there’d been something to show for it — a big social media presence, the ability to code, learning a language on Duolingo, a consistent output of pretty much anything creative. But I can’t make any of those claims. I know life is about much more than “productivity,” but even with that caveat my phone time is staggeringly unproductive. I post perhaps twice on Bluesky or Mastodon on a big day. Instagram is maybe once a week. Nearly all the time I spend on my phone (and, if I am being honest, my computer) is in passive consumption. Lurking. I don’t have many good memories of the half of my life I’ve spent on screens, or in fact any strong memories at all; it’s all one amorphous, algorithmic blob of memes and blogs and socials and takes.

    My first thought on doing all those calculations was: how am I even finding the time to use my phone this much? I’m busy. I have a demanding day job. I have a social life. I’m a dad to a toddler. I cook and clean and walk and go to the gym. There’s practically never a time when I am on my phone for more than 20 minutes at a stretch. I think I could count the times I’ve spent more than an hour in one session on one hand.

    But a bit of thought solves the not-mystery.

    It’s the in-between times. 5 minutes here. 15 minutes there. Opening the phone to a notification of a text from a friend only to open Insta to be reminded of a meme you want to send to another mate but only after watching a mildly interesting reel lifted from someone else’s Tik-Tok. It adds up quickly.

    It is, to age myself with a simile, like changing gears in a manual car. If I’m finishing a task (let’s say, the weekend morning dishes) and I need to do something quite different (let’s say, go to the gym) a nice smooth gear shift will have me picking up heavy things in no time. But add my phone to the mix — a quick reply to a mate, an email check to see if that package has shipped yet (hope, nope), scrolling to pick the right playlist or podcast, pausing to download an audiobook — and it’s like leaving your car to idle in between gears, eventually to slow down or stop. Suddenly it’s 25 minutes later and getting a full workout in before I need to take my son to his appointment is impossible. May as well not go!

    This sort of thing happens all the time.

    It seems frighteningly obvious that the life I want to live is being eaten by my smartphone screen.

    In fact, it’s so obvious that the only reason I can think of for not giving it due attention is because of how frightening it is.

    I felt like a character in a whodunit who’d always known who dun it but was too scared to admit it.

    And that’s just smartphones. Once you add TVs and computer screens to smartphone use, things get scary. Time spent on screens goes from a worryingly significant fraction of life to the overwhelming majority of it, to the point where the words “HE LOOKED AT SCREENS” would make a cruelly accurate epitaph.

    My brain’s so cooked by it all the only way I can visualise it is in meme form:

    Here’s the thing: for all the advice richocheting around the Internet on how to curb your Internet-adjacent addictions, there’s probably only one thing for it.

    Cal Newport, the irritatingly fresh-faced author of a couple of self-help books I’m sure I’ll get around to reviewing one day, puts it succinctly. (You don’t have to watch the whole video. This clip should start it right at the relevant bit.)

    Yes, that’s right. The answer was right there in the Book of Mormon1 all along.

    Just… turn it off.

    Book of Mormon. Turn it Off | Book of mormon musical, Book ...

    I took the medicine. Just before I started writing this article, I deleted all the social media apps from my phone. Twitter? X’d it. Mastodon? Mastadon’t. Bluesky? I blew it right off. Reddit? More like didn’t read it. Instagram? Instagone.

    I wish I could say that I felt better instantly but it’s been several days now and I’ve felt twitchy and tired and I keep picking up my phone and putting it down for no reason at all.

    If smartphone use is an addiction, this seems about right for withdrawal symptoms. I’ll say this: it does feel startlingly similar to when I quit smoking.

    I don’t expect my productivity to suddenly peak. I’m an accomplished procrastinator; life will find a way.

    But if I can get those lost slices of life back — those moments of necessary boredom, of smoother gear-shifts in between tasks, of seeing my son playing instead of gazing into the abyss of my phone and having it algorithmically gaze back — then it’ll be worth it.

    I’ll let you know how I go. If you decide to do something similar, I’d love to hear how you manage.

    EDIT: Annoyingly, I just found out I accidentally sent this newsletter out with comments for paid subs only, which is the Substack default, and wasn’t my intention. I’ve fixed it now, so comment away!

    Also I got this notification this morning. It’s still too much, but it’s a big improvement. The system works!(?)


    For entertainment purposes, if by “entertainment” you mean “being crushingly depressed,” I have made a spreadsheet you can use to calculate your own abyss-gazing tendency: how many years of your life it’s taken to date, and how many it will remove from your future. Just put your age in years in cell B1, how many years you’ve had your smartphone in cell B2, and your average daily hours of smartphone use in cell B3. Enjoy!

    Yeet Your Phone: The Spreadsheet.


    1. The stage musical, not the actual book.

  • The Dark Present

    The Dark Present

    Hi! I hope you enjoyed the sunshine in the Brighter Future. Unfortunately, today’s newsletter is a return to the Dark Present, with a timely reminder that everything is danged1 and it’s all economics’ fault.

    Well, that’s not 100 percent correct: it’s lots of people’s fault, especially the governments who’ve refused to reign in the mad paper-clip machine of capitalism and have set civilisation on a course straight for the heart of the Sun, but neoliberal, orthodox economists deserve an outsize share of the blame for chaining the rest of us to the mast so all we can do is watch. And William Nordhaus is one of the crew — standing on the shoulders of giants like Milton Friedman and Friedrich Hayek — who’s done the most incalculable damage. When our kids ask us “Who killed the world?” we’ll be able to confidently answer “This guy.” The Intercept has the horrible details. Briefly paraphrased, the scoop is that Nordhaus’ theories that calculate the economic impacts of climate change are bollocks.

    Nordhaus’s models tell us that at a temperature rise somewhere between 2.7 and 3.5 degrees Celsius, the global economy reaches “optimal” adaptation. What’s optimal in this scenario is that fossil fuels can continue to be burned late into the 21st century, powering economic growth, jobs, and innovation. Humanity, asserts Nordhaus, can adapt to such warming with modest infrastructure investments, gradual social change, and, in wealthy developed countries, little sacrifice. All the while, the world economy expands with the spewing of more carbon.

    His models, it turns out, are fatally flawed, and a growing number of Nordhaus’s colleagues are repudiating his work.

    chuckles I'm in danger meme template HD | Ralph In Danger | Ralph wiggum,  Memes, Meme template

    Yes, it turns out that Nordhaus’ work is pure copium, so attractive and addictive that it’s been mainlined by everyone from corporates to governments to the IPCC.

    Johan Rockström, director of the Potsdam Institute for Climate Impact Research in Germany and a leading researcher on climate tipping points and “safe boundaries” for humanity, projects that in a 4 C warmer world, “it’s difficult to see how we could accommodate a billion people or even half of that.” Global population today stands at 7.6 billion, with 80 million people added every year.

    By contrast, when Nordhaus looked at the effects of 6 C warming, he did not forecast horror. Instead, we should expect “damages” of between 8.5 percent and 12.5 percent of world GDP over the course of the 21st century.

    He’d have gotten away with it too, if it wasn’t for those darn meddling laws of thermodynamics.

    Start with your typical textbook for the dismal science — say, the definitive one by Paul Samuelson, co-written with Nordhaus, titled “Economics.” The book is considered “the standard-bearer” of “modern economics principles.” You’ll find in its pages a (…) simple, imperturbable closed system that’s also ludicrous, fantastical, a fairy tale. In the circular flow diagram of standard economics, nothing enters from the outside to keep it flowing, and nothing exits as a result of the flow. There are no resource inputs from the environment: no oil, coal, or natural gas, no minerals and metals, no water, soil, or food. There are no outputs into the ecosphere: no garbage, no pollution, no greenhouse gasses. That’s because in the circular flow diagram, there is no ecosphere, no environment. The economy is seen as a self-renewing, perpetual-motion merry-go-round set in a vacuum.

    So how does it all work? Nordhaus’ theories are, of course, predicated on the fairy-tale of endless economic growth. Pry the lid off the voodoo equations of orthodox economics and you’ll find the same basic fallacy over and over again: line goes up.

    In DICE, the effect of a warmed climate is measured solely as a percentage loss (or gain) in GDP. Growth of GDP is assumed to be “exogenously determined,” in the language of economics theory, meaning it will persist at a set rate over time regardless of climate shocks.

    Like other orthodox economic fallacies such as the Phillips Curve — an illustration of the idea that having too much employment causes inflation, so having unemployment must necessarily un-cause it — Nordhaus’ DICE model is based on a fundamental misuse of mathematics:

    The second of Nordhaus’s errors is the use of reductionist mathematical formulas. He employs something called a quadratic to calculate the relationship between rising temperatures and economic outcomes.

    Economists are always doing this. They love nothing more than finding a concept that’s hideously complex and intrinsically non-linear and drawing crayon-like curves all over it. But wait, it gets much, much stupider.

    The third of Nordhaus’s errors is related to similarly simplistic formulas. Nordhaus calculates GDP of a particular location as fundamentally related to the temperature of that place.

    What — and I really must stress this — the dang. How does economics manage to elevate such abject, obvious idiocy to the pinnacle of the profession? The assertion is self-evidently untrue. GDP is not a function of your danging latitude. Nor is it a function of Nordhous’ next colossal mind-fart:

    The fourth fatal error Nordhaus makes is the most farcical. In a 1991 paper that became a touchstone for all his later work, he assumed that, because 87 percent of GDP occurs in what he called “carefully controlled environments” — otherwise known as “indoors” — it will not be affected by climate.

    It really has to be said again and again: dang economics.

    Lest we forget, it’s also orthodox, neoliberal economics that has gifted us the currently-in-vogue method of dealing with climate change: carbon trading and emissions offsets. Let’s be clear: setting a price on carbon pollution is a good thing. But economists have, of course, poisoned the well of carbon pricing with carbon offsets: the idea that we can make up for burning carbon here by not burning carbon there, and that we can turn not-burning into licences to burn carbon. Factor in the idea of the world ploughing its valuable energy resources into mostly hypothetical technology to suck carbon out of the air and turn it into worthless dry ice and boom, you’ve got a plan to save civilisation — one that, typically for economics, makes no danging sense. Cory Doctorow has the goods:

    [Carbon offsets allow] companies to make money by promising not to emit carbon that they would otherwise emit. The idea here is that creating a new asset class will unleash the incredible creativity of markets by harnessing the greed of elite sociopaths to the project of decarbonization, rather than to the prudence of democratically accountable lawmakers.

    Carbon offsets have not worked: they have been plagued by absolutely foreseeable problems that have not lessened, despite repeated attempts to mitigate them.

    For a break from all this, let’s look at journalist David Williams’ deep dive into what NZ’s local enemies of climate action have been up to lately. Ah, of course. They’ve been working to elect climate change deniers, minimisers, and delayers, in the form of the Act and National parties:

    In the Taxpayers’ Union’s first press statement, in 2013, its founders described it as “a politically independent grassroots campaign to lower the tax burden on New Zealanders and reduce wasteful government spending”.

    The independence claim has been repeatedly knocked.

    In Dirty Politics, Hager wrote the Taxpayers’ Union “operates, in effect, as an arm’s-length ally of the National Party” and called it a “political tool”.

    The following year, political scientist Bryce Edwards described the Taxpayers’ Union to the NZ Herald as “the Act Party in drag”.

    A huge share of the blame for the Taxpayer’s Union’s success can be laid at the feet of news media, who essentially let political actors like the TPU and the Act party do their jobs for them. These groups function as press-release factories, churning out readymade news for conflict-hungry media, who are only too happy to both-sides climate-denying hysteria-bait about (for example) cycleways if it leads to them getting a few more clicks. They also make themselves permanently available, always ready to feed a juicy, conflict-loaded, nuance-free soundbite to the media maw. Witness the Spinoff’s live updates editor telling on himself as he complains that David Seymour won’t pick up the phone anymore:

    During the Judith Collins years, he twisted this level of availability into becoming a de facto opposition leader, commonly leading coverage where the National Party leader would traditionally be found. If you couldn’t get a comment out of National, you’d get on the blower to Seymour and he’d give two or three well-communicated soundbites on just about anything.

    Most journalists would ring him directly, or text him and expect a return phone call within minutes. On one occasion, he called me via a bluetooth bike helmet and I did the interview while he was cycling around his local electorate.

    Well-communicated soundbites!” I’m so sick of this stuff from journos. When will they learn that their job is not to hand out praise to politicians based on well they spin the issue du jour? That it’s not to give space to people — especially not powerful people — just because they’ll pick up the danging phone? Of course David Seymour’s not answering your calls: he’s in negotiations for his real job — attacking indigenous rights and sabotaging climate change action. What’s left of the (broadly) reputable Fourth Estate needs to figure out where it stands on climate change, ideally yesterday, and to stop platforming climate change deniers, delayers and minimisers like David Seymour and the Taxpayers Union without conspicuous disclaimers about what their policies and actions are and mean.

    While I’m on the subject of lazy media, here’s another ghastly habit that can get in the bin and die: the uncritical repetition of political and economic myths. From yesterday’s Spinoff Bulletin newsletter, we get this:

    By now, we all know the orthodox drumbeats: when employment levels are high, wages rise faster. People have more money to spend, so prices go up and so does inflation. When unemployment is high, the lack of money to spend means that inflation goes down. It is our old mate, the Phillips curve, conceived by New Zealander Bill Phillips. A consensus of bank economists ( paywalled, and is that the collective noun or just an accidentally clever allusion to it by Liam Dann?) is picking that the unemployment rate will have risen. Most are pinning that prediction on high levels of migration.

    It’s nice that we seem to be gradually approaching the point where people might finally start saying the quiet part loud: unemployment is largely a political and fiscal choice, designed to keep wages (and inflation) suitably low; but what’s not being said is that simplistic economic concepts like the Phillips Curve are at best contested and at worst bunk. Even orthodox economists have had enough of the Phillips Curve: witness the ultra-neoliberal Cato Institute call it a “broken theory” and “a poor tool for policymaking.” So here’s another reminder, because you can never have enough: the broken idea behind raising interest rates is to make people lose their jobs and/or houses so inflation might come down.

    The fact that inflation might happen not just because people have jobs, and could just as easily be attributed to supply constraints and massive corporate profiteering doesn’t seem to matter, least of all to media who are happy to keep repeating economic myths and making space for climate change creators.

    On that note, and in good news for no-one but economists, there are signs that the Reserve Bank might finally be succeeding in engineering its longed-for recession:

    The below, earlier issue of Hickey’s newsletter is well worth reading, not least because he shares some gobsmacking tidbits that should be being screamed from the rooftops by the rest of the media — like the fact that at current rates of growth (which successive Governments have both encouraged and done nothing to prepare for) NZ’s population will exceed 20 million by 2100.

    Wednesday’s Chorus: An impossible trinity
    Listen now (31 mins) | TL;DR: The key news in Aotearoa’s political economy today includes: National appears set to push councils to move their water assets off their balance sheets in a very similar way to Labour’s Three Waters plan, just without the co-governance and as much compulsion, but still with the flawed idea that somehow off-balance-sheet borrowing is actually better for taxpayers and ratepayers in the long run than facing up to the fact that higher taxes, charges and public debt are needed to fund fast population growth;

    And then there’s this humdinger.

    A Treasury analysis of the potential costs of the Crown having to buy emissions credits to meet its Paris agreement commitments was released in September and shows the cost to taxpayers could blow out to $25.948 billion by 2030, if as expected with current policies, there is a shortfall.

    This is not included in the Crown Accounts as a contingent liability. If it was, a Government would be obliged to try to reduce it, or have to explain to taxpayers why they’re spending more on emissions credits overseas than it spends on health in a year.

    The other option would be to renege on the Paris agreement, which ACT has advocated, and then see New Zealand’s FTA with Europe cancelled arbitrarily.

    That’s where our “but David Seymour has perfectly-crafted soundbites and always picks up the phone!” attitude gets us: the neoliberal party looks to cost us billions of dollars in worthless “offsets” that we will be forced to buy for breaching our Paris commitments by not following the ETS, a climate policy advocated for and invented by neoliberals. Of course, none of that includes the staggering costs of not sufficiently adapting to or mitigating climate change, which are going to be much, much, much more. I’d say that we should just burn it all down, but that’s happening anyway. Happy days.


    1. After getting a tip that my swearing was making my work hard to share I decided to change all incidences of the word that autocorrects to “duck” to “dang” or something similar. It’s perhaps a bit silly — I think it is OK to be angry about bad things, and that swearing is useful as punctuation among much else — but there’s no doubt that replacing swears makes the article much funnier. The original blue-tongued article will live on, in subscriber inboxes, and you can always mentally substitute “dang” for any other word you like.

  • Heavy lifting

    Heavy lifting

    Every other day, I leave the box I live in, get into a box with wheels, and travel to another box, where the heavy things are.

    Once there, I pick up the heavy things and put them down. I do this again and again.

    It is as exciting as it sounds.

    But if I don’t do this, I will not be as strong as I would like to be, and my back will hurt, and I will become grumpy and fretful, and I will not look the way I want to look.

    Plodding amongst the heavy things, my mind wanders to what I have been reading.

    I think Naomi Klein is the greatest intellectual of the 21st century, which sounds much too wanky. So let me put it another way: I think she is brave and clever, and she writes books I cannot stop thinking about, that perfectly articulate and go some way to explain and perhaps even fix the sheer state of — well, just look around you.

    Her latest book is called Doppelganger. It is about doubles, the strange way that our society constructs fake problems that reflect very real ones, and lifts up people and organisations who champion the twisted, backwards values of this mirror world.

    And there are many reflections on branding, on influencers, and on self-improvement.

    She writes:

    It has often struck me, as I have contemplated my own branding crisis at a time when I felt I should be more properly focused on the climate crisis, that I am hardly the only one who has turned away large fears in favor of more manageable obsessions. In fact, it makes a certain kind of sick sense that our era of peak personal branding has coincided so precisely with an unprecedented crisis point for our shared home. The vast, complex planetary crisis requires coordinated, collective effort on an international scale. That may be theoretically possible, but it sure is daunting. Far easier to master our self, the Brand Called You—to polish it, burnish it, get the angle and affect just right, wage war against all competitors and interlopers, project the worst onto them. Because unlike so much else upon which we might like to have some sort of impact, the canvas of the self is compact and near enough that it feels like we might actually pull off some measure of control. Even though, as I have discovered, this, too, is a grand illusion.

    And so the question remains: What aren’t we building when we are building our brands?

    And as I lift heavy weights on to a heavy bar to make it much heavier I think: what aren’t I building when I’m in this box building muscles?

    They say “may you live in interesting times” is a curse, and it is, but I feel like “may you always feel like you should be doing something else,” carries almost as much, uh, weight.

    This, combined with the gym’s tyrannical boredom, always has me on the cusp of not going.

    But I carry a book with me, and in the book are numbers. They tell the weight of the heavy things, and the number of times I have picked them up and put them down again.

    My job is to make the numbers go up.

    This is very difficult, and the difficulty almost makes the boredom tolerable, while simultaneously creating a powerful desire to go home.

    And yet, when the numbers do go up, there’s a good buzz in the brain. Progress! A tangible difference! Something that’s not getting so much fucking worse!

    Klein writes:

    In Natural Causes: An Epidemic of Wellness, the Certainty of Dying, and Killing Ourselves to Live Longer, Barbara Ehrenreich, who died in September 2022, tracked the ways that the quest for health and wellness became obsessive pursuits in the Reagan and Thatcher era and has only grown in influence since. She argued that this turn was a reaction [to] the failures of revolutionary movements, when the high hopes of the 1960s and ’70s slammed into the brick wall of ’80s neoliberalism.

    With dreams of justice dashed, along with collective visions for a good life, it was everyone for themselves—a world of atomized individuals climbing over one another to get an edge in newly deregulated, precarious job markets. It was in this context, she argued, that so many turned their attention toward perfecting the body, with treadmills replacing protest marches and free weights replacing free love. The pressures were far greater for women at the start, but soon enough even heterosexual cis men would face their own unattainable fitness and beauty standards and myths. For Ehrenreich, this was all “part of a larger withdrawal into individual concerns after the briefly thrilling communal uplift some had experienced in the 1960s … If you could not change the world or even chart your own career, you could still control your own body—what goes into it and how muscular energy is expended.”

    File as “too real,” I think, when I read this. We are beset by crisis, are quite literally awash in it, and the response of most so-called leaders is — almost invariably — to blithely make things much worse. Apart from the kabuki performance of voting every three years, and increasingly tormented howling at the abyss of optics-obsessed political media, there isn’t much I feel like I can do. Attempting self-improvement in the face of climate change, disasters, and genocide often seems like folly, but the bigger folly might be to do nothing. At the gym, I can make the weights go up, and the numbers get bigger, and (should I make an alliance with my constant nemesis, consistency) strength will follow. And it seems to help with the back pain I get from all the sitting and writing I do.

    Explaining her own longtime, often conflicted relationship with the gym, Ehrenreich wrote: “I may not be able to do much about grievous injustice in the world, at least not by myself or in very short order. but I can decide to increase the weight on the leg press machine by twenty pounds and achieve that within a few weeks.”

    I have never been a gym rat, but I can relate… As the climate crisis accelerates, with the land heaving beneath us and burning around us, I expect that many of us will continue to find comfort in whatever small bodily obeyances we can muster. There is solace to be found there.

    There is a solace to be found at the gym. And a silence, in the sense that I wear noise-cancelling headphones and listen to a lot of Rage Against The Machine. I tell myself it’s because the gym music sucks (it does) but really it’s so I can pretend to be alone.

    I head towards a machine and prepare to rage at it. I don’t know what its name is. All I know is that’s where I do my genuflections, Cable Bicep Curl and Cable Tricep Push-down. There’s a bloke standing at the machine, also wearing headphones. I point. He raises his index finger. One set left. He finishes, I take over. Not a word between us.

    Klein writes:

    For the person dedicating themselves to transformation through diet and fitness, there is you as you are now, and—ever present—there is you as you imagine you could be, with enough self-denial and self-discipline, enough hunger and enough reps. A better, different you, always just out of reach. Ehrenreich wrote evocatively of the strange silence of gyms, a place where people gather together in close quarters but barely speak to one another except to negotiate access to machines. This, she observed, is because the primary relationship at play is not between separate people working out, but between the person working out and themselves as they wish to be, their body double.

    Sometimes it seems, in a broken society to which There Is No Alternative, that even the autonomous zone of the self is increasingly illusory and compromised.

    Occasionally at the gym, usually in between sets, I feel the guilt of having spare time and cash to spend on making myself bigger and stronger. This is privilege, of course. Self-improvement itself often seems like something only the privileged have the privilege to be interested in.

    I tell myself there are some privileges no-one should have, and there are some privileges everyone should have.

    Everyone should have enough.

    Lots don’t, I think, as I buy myself vegan protein powder in a plastic packet.

    Klein writes:

    In many ways, the most successful influencers in the wellness and fitness worlds—the people who make fortunes from selling idealized versions of themselves and the idea that you, too, can attain nirvana through a project of perpetual self-improvement—are a perfect fit with far-right economic libertarians and anarcho-capitalists, who also fetishize the individual as the only relevant social actor. In neither worldview is there any mention of collective solutions or structural changes that would make a healthy life possible for all.

    Eventually my streak of gym-every-other-day falls apart. I get a cold and spend a week crook. I write one of my howling into the void articles, and then there’s an election. If you’re a climate change enjoyer, the result is thrilling. Slightly disturbed by the number of people who (accurately) describe my writing as grim, I write a follow-up that’s intended to be the opposite of grim:

    The Brighter Future
    Saturday starts out sunny, so we catch the 9:05 rapid from Kirikiriroa to Paeroa. The plan: beach day. We make it to the station with time to spare, which isn’t too bad, as it was kind of a snap decision, and we’d only started biffing beach things into bags half an hour before getting on our e-bikes.

    Apparently that one makes people cry. Heads you win, tails I lose.

    Over this time, my self-improvement newsletter languishes. It is hard to write about self-improvement when you feel like you’re not improving yourself. And it’s hard to go to the gym when you’d much prefer to go with mates but no-one can ever organise to do anything at the same time and the thought of talking to random gym-goers makes you want to puke.

    Often, it feels like the only accessible community is in the increasingly fraught world of our smartphones.

    I usually leave my phone in my bag when I’m at the gym, because if I look at it I get caught up in some aspect of our world’s perma-crisis, some humbug or stupidity or cruelty or ecocide or genocide, and the session takes twice as long. And I might be tempted to take a selfie, to feed Instagram with Content and build a Brand.

    Our addiction to digital media, our desire to offer up bits of ourselves to a digital machine in return for enough clout to make a crust, is itself a kind of doubling, Klein writes:

    At best, a digital doppelganger can deliver everything our culture trains us to want: fame, adulation, riches. But it’s a precarious kind of wish fulfilment, one that can be blown up with a single bad take or post.

    The fear of the bad take. I get it. I have been wanting to write something about the horrors taking place in Palestine and Israel1 — vicious attacks perpetrated by cruel men that take the lives of thousands of innocent people — and find myself warned off by the fact that to express an incorrect opinion about this mass murder is to open yourself to vitriol, and yet to not post about it is seen as a betrayal, a refusal to bear witness. For — of course — we should not ignore what’s taking place: the murder of civilians, collective punishment, the destruction of homes and hospitals, the holding of hostages, the denial of aid, and near-constant dehumanisation, among a cornucopia of other crimes. But how much witness-bearing can you bear?

    A glance at my feed will reveal videos of frightened children whose parents have been killed, and traumatised parents covered in the blood of their children, who were so desperate for some scrap of justice that they felt the only avenue left was to show the world their agony. It makes me weep.

    It’s not done to shed tears at the gym.

    I also think: This guy! He stopped going to the gym because he’s sad about Palestine? Waah!

    My suffering is that I’m sad about their suffering, and their suffering is that their homes and families are being callously destroyed. It’s not comparable. I feel fury at what’s being done, and simultaneously feel bad for not feeling bad enough. And I think: sort it out, dickhead! It’s not about you!

    But you can’t separate your self from the world, there’s no objective view to take, you can’t get out of your head, and all anyone ultimately has is some ability to choose how they react, and what to say.

    I stay in my box, where no bombs are falling, where my child is safe, and — apart from the obligatory sharing on social media, and some impassioned conversations with friends and family — I say nothing.

    Unlike me, Naomi Klein is brave and articulate. In a Guardian column, she offers the best opinion I’ve yet read on the horror in Palestine.

    [A]ntisemitism (besides being hateful) is the rocket fuel of militant Zionism.

    What could lessen its power, drain it of some of that fuel? True solidarity. Humanism that unites people across ethnic and religious lines. Fierce opposition to all forms of identity-based hatred, including antisemitism. An international left rooted in values that side with the child over the gun every single time, no matter whose gun and no matter whose child. A left that is unshakably morally consistent, and does not mistake that consistency with moral equivalency between occupier and occupied. Love.

    After more than a week away from the House of Heavy Things I start to feel it. That spot in between my spine and left shoulder-blade starts its constant muttering and needling. Lifting weights in an airless box might have given me the latest in the long line of colds I’ve had this year; and yet, not going to the gym is making me sick. I need to get back to it, less because I want to grow new and interesting additions to my body, and more because feeling strong makes the load of life more bearable.

    Naomi Klein writes of the tendency to avoid reality, of the urge to vanish into a mirror-world of fake news that’s somehow more bearable than the real news, and the way that inhabiting our own bodies can feel unbearable:

    At bottom, it comes down to who and what we cannot bear to see—in our past, in our present, and in the future racing toward us…

    We avoid because we do not want to be bodies like that. We do not want our bodies to participate in mass extinction. We do not want our bodies to be wrapped in garments made by other bodies that are degraded, abused, and worked to exhaustion. We do not want to ingest foods marred by memories of human and nonhuman suffering. We do not want the lands we live on to be stolen and haunted.

    And she continues, showing how self-improvement itself can be a form of avoidance; instead of being drawn into a mirror world, one is drawn — like Narcissus — into a mere mirror.

    Indeed, a central reason why so many of us cannot bear to look at the Shadow Lands is that we live in a culture that tells us to fix massive crises on our own, through self-improvement.

    Support labor rights by ordering from a different store. End racism by battling your personal white fragility—or by representing your marginalized identity group in elite spaces. Transcend your ego with a meditation app.

    Some of it will help — a bit. But the truth is that nothing of much consequence in the face of our rigged systems can be accomplished on our own—whether by our own small selves or even by our own identity groups. Change requires collaboration and coalition, even (especially) uncomfortable coalition. Mariame Kaba, a longtime prison abolitionist who has done as much as anyone to imagine what it would take to live in a world that does not equate safety with police and cages, puts the lesson succinctly, one passed on to her by her father: “Everything worthwhile is done with other people.”

    I go back to the gym, on my own. Surprisingly, I manage to lift heavier heavy things and make the numbers bigger than all previous attempts.

    It makes my back feel a bit better.

    And in the muscle-trembling, delirious boredom of the mid-set break, I think — as I always do — of the ways in which, even when we feel alone, we can find other people to do something worthwhile with.


    If you want a way to protest or to do something worthwhile about the human tragedy taking place in the Middle East, Emily Writes has resources and recommended actions to take:

    What can I do to help stop this genocide
    Kia ora friends. As requested, here is my best attempt at providing ways to help stop the genocide of Palestinians in Gaza. I give my most sincere thanks to those who helped me with this guide, especially those Palestinian and Jewish folks who are grieving and afraid right now.

    Feel free to feed back — as usual, comments are open and free — but know I’ll be keeping a very careful eye on them. The comments here are almost always thoughtful and kind but I do have to warn that Antisemitism or Islamophobia or excusing war crimes will not be welcome.

    That said, feel free to talk about things in the comments that are not related to crises. If people want to chat about how many push-ups they can do now, I’m all ears.


    1. I hate that I even have to do this, and I am extremely conscious of the fact that it’s absurd for a self-improvement newsletter to sound like a diplomatic speech, but if I don’t do this someone will lose it. I condemn Hamas for their war crimes and for their autocratic, anti-democratic rule of Gaza. I condemn Israel’s leadership for their war crimes, and also for turning Gaza into an open-air prison, and for their near-constant flouting of UN General Assembly resolutions and international law in general. I’m convinced that you should be able to say “war crimes are bad” without referring specifically to whose crimes, but apparently people think that the righteousness of their cause cancels out their war crimes.

  • The Brighter Future

    The Brighter Future

    Saturday starts out sunny, so we catch the 9:05 rapid from Kirikiriroa to Paeroa. The plan: beach day. We make it to the station with time to spare, which isn’t too bad, as it was kind of a snap decision, and we’d only started biffing beach things into bags half an hour before getting on our e-bikes.

    I sit with my laptop, tapping out a piece. This piece, in fact. They wanted some kind of retrospective on the last decade, the remarkable story of how Aotearoa had so quickly become a global leader on climate change, and I figured framing the story through our beach trip made sense. That, or I was just a bit desperate about the deadline and needed a quick and dirty device. While I fret about story framing, Leo lapses back to an earlier stage of childhood and gets his mum to play Eye Spy. I get a bit lost in my work and when Louise gives me a meaningful nudge I realise it’s been a solid 15 minutes. Nearly in Paeroa! I take Leo for a wander down the train, but it’s the cafe car he’s most interested in. I buy a pie for Leo, and can’t resist my own mince and cheese: the railway pies are legendary, and I tell myself that the fact that Leo’s is vegetarian makes us square. “Meat is a treat,” I say, silently.

    Coming back from the cafe car, the view outside gets a bit grim. Flashing past is the pathway left by Cyclone Cassandra, which rode a plume of warm air inland, through the Hauraki Plains all the way south to the King Country. Entire shelter-belts felled, sheds blown across the landscape, flash floods ripping through bridges. The rail line was down for nearly a week while they checked the viaducts, but all the strengthening and triple-redundant engineering work had, well, worked. And I can see the Climate Corps have been busy: mobile sawmills have carved up the felled trees for timber and mulch, buildings and bridges are repaired, and there are new wetland restorations and riparian plantings started everywhere.

    It feels like a metaphor for a decade ago: out of the wreckage and ruin, something new, something good. First, the Greens became the largest party on the Left, then — after the Chaos Coalition fractured, and the snap election — the new Green and Te Pāti Māori government, with confidence and supply from the Labour remnant.

    Obviously, the rapid rail didn’t appear overnight. That took a lot of work and it’s really only in the last couple of years that it’s properly kicked off nationwide. But a lot of things got better pretty much straight away. It turned out that the Government had plenty to work with once it decided to take the 1940s approach and got back some of the money that had been hoarded, stolen and secreted away by sociopaths. Wealth taxes for the 1 percent, excess profit taxes on the mega-corporates, Robin Hood taxes on the banks: the commentators screamed and screamed but, once it became clear that more than 95 percent of normal people weren’t losing out but benefiting, the electorate were more than happy to see it continue. The first big improvements were in the health system, with free dental straight off the bat. I had three gaps in my teeth and a mutilated jaw from the bad old days when the only publicly-funded dental care you could get as an adult was an extraction; within a year, I had three shiny new artificial teeth. Transport was another quick win: the new government bought (and converted) as many e-buses as they could and pretty soon you could get an express bus from anywhere to somewhere else. For free. “Communism!” cried the Opposition and the commentariat, leading the new Minister for Transport to quip, “Transport for each according to their needs.” All the politics nerds thought it was funny. I thought it was funny. It probably wasn’t that funny.

    And then the rail build started in earnest. We stopped using consultants from the New Zealand private sector, not just because they charged millions to do nothing, but because it turned out none of them had the slightest idea of how to build railways. Instead, we looked to Switzerland, and Japan: two nations with similarly challenging geography and notable rail-building expertise. We brought their best rail people over and said “how soon could you get this running?”

    Quite soon, as it turned out, with enough people-power — and we had that in spades.

    The Green Jobs Guarantee made the neoliberal economists absolutely lose their shit. It was a full employment scheme, paying a living wage, across a huge range of projects. Railways, native forestry, pest control, managed retreat, central-city densification, teardowns and rebuilds and renovations of entire leaky districts, climate-proofing coastlines with beach and dune restoration, weirs and seawalls and dykes. Heat pumps, insulation, double-glazing, air filtration, for any house that needed it. Riparian planting, eco-farm conversions, digging up lawns and planting food forests. Re-wilding, rangering, ecosystem management, kaitiakitanga guardianship, the big Crown Landback mana whenua schemes. Huge budgets for science, for the Department of Conservation, research institutes, universities, for throw-shit-at-the-wall, see-what-sticks solutions. A new Ministry of Green Works, the Climate Corps, hundreds of local organisations. Suddenly, everyone who wanted a climate job — a job that paid! — could have one.

    Lots of people did. Cubicle drones quit in droves. Long-neglected regional towns filled up with hugely diverse mobile populations, all working on climate projects. Very little of it was based on what economists said was good for the economy (which, often, turned out to be what was good for the elite). It was instead based on a number of “heterodox” economic theories, which — when it really came down to it — were mostly about values. Needs became recognised as rights: to food, water, a home, community, care. Everything was organised around providing the essentials for everyone, and doing the needful to mitigate and adapt to climate change. The economy would take care of itself, just as it had for the thousands of years before economists had created the concept.

    It was madness, the neolibs said. If everyone had enough money in addition to housing, food and job security, disaster would strike. They predicted exponential inflation. “A loaf of bread will cost ten million New Zealand dollars within a year!” screeched one prominent commentator. He bet his job on it. When it didn’t happen, he refused to quit, was fired, and moved to a houseboat. The last anyone heard of him he was arguing with a hydroplane full of bemused tourists that his boat was a sovereign nation and that they were infringing on his borders.

    As time went on, the bigger projects started to come online. Once the electricity generator-retailers’ mandate changed from “make money” to “decarbonise” things really got underway. The hydro-powered mega-battery at Lake Onslow, plus a rapid rollout of renewables and rooftop solar took fossil fuels out of the grid. At the same time, the rapid rail network was being built. The trickiest part was getting new, bidirectional heavy gauge rail laid across the new overland routes, but helpfully, a lot of the work was already done. The Swiss and Japanese project leaders were impressed. Those scrappy Kiwi builders blasting through rock and scraping away with hand tools had done an amazing job for the times, and now we had modern engineering techniques to build on the solid foundation they’d left.

    Back to our seats, as we pull into Paeroa station. Louise eyes the crumbs on Leo’s tee. I make innocent sounds, and offer to hang out with him during the Kaimai leg. She snorts with laughter. “It’s all scenic. Hardly a chore!” But when we switch to the light train from Paeroa to Waihi — a few modern trams strung together, really — she picks up her book and I take Leo to the packed viewing car.

    The Kaimais are always a sight. The high gorge walls, the dramatic twists and turns of the river; even on a grey day it’s remarkable. But when it’s bright out, wow. The sharp blue sky cutting against the myriad greens of the forests, the train sliding almost silently down the parkway; it puts everyone in a wide-eyed mood. It helps that the train is packed with families and little kids. As we wind through the gorge parkways and trundle over the viaducts the kids wave at the hikers and day-walkers, and fizz when they wave back. Then they try to hold their breath through the tunnel; you could see them turning red in the dim light. I’d thought Leo was too old for that at 14 — he can be such a serious kid. But as we emerge from the tunnel I hear him gasp, but quietly, so I won’t clock what he’s been up to.

    The light rail line terminates in Waihi, but let’s be honest: no-one wants to hang out in Waihi on a day like today. We grab the free e-bus out to Waihi Beach. We could have waited for the next one for a bit more room, but I want to get to the beach before the tide turns and the waves get sloppy. Leo offers his mum a seat, which is good of him. I make a mental note that she owes me some sitting-and-writing time on the trip back.

    From the station in Waihi Beach we walk to the beachfront, and it’s a good thing it’s only a few hundred metres. It’s hot. It isn’t noon yet but it’s already 32 degrees in the shade, with high heat and humidity warnings in effect for later in the day. Luckily, it’s also windy, and that offsets it a bit. I’m slightly disappointed to see that the waves have got a bit blown out by the gusty offshore breeze.

    Leo checks out the surf report. “It’s cranking at Whiritoa,” he says. I discuss it with Lou and we decide to bike. There are plenty of e-bikes at the kiosk so we get one each and set off.

    In the olden days of a decade and a bit ago, it’d have been way too much of a mission. It’s 26 k’s from Waihi Beach to Whiritoa and there are plenty of hills. Back then, you’d have had to put up with bumper-to-bumper traffic, and cars passing you way too close, pedalling hard the whole way. Only the hardened warriors of the weekend lycra brigade would have chanced it. But now? All e-bikes and buses. We join a peloton, with entire families out for the ride, cruising along at a brisk 50 clicks. The few cars that go past — often providing for people with disabilities, local farmers, kaitiaki rangers, and the like — give us a wide berth, tooting. We wave back.

    Whiritoa is hot, too. The electronically-assisted ride kept us cool but as soon as we hand the bikes in to the kiosk we can feel the heat walloping up from the asphalt: the old town’s roads are scheduled for greening and shade-tree transplants but it hasn’t happened yet. Even with a fully mobilised climate corps, there’s so much to do! Lou holes up in a heat shelter with a playground, cafe and aircon, and Leo and I hire boards and get amongst the waves. In one of those weird mixed blessings of our new Changed Climate era, the ocean is slightly cooler than normal for this time of year — a marine heatwave has been chased off by a cell of cool water from the Southern Ocean, which has also blessed us with swell.

    The paddle out is rough. Today’s wave at Whitiora is a fat right, clean but heavy. There isn’t much in the way of a rip to ride out, and I feel all my 51 years once we’re out beyond the breakers. Leo crushes it; even though he’s slim for 14, constant swimming and frequent surf missions have built him up and he’s already caught one by the time I reach him.

    We are out there for the next couple of hours, and they are bliss. In the water, it all recedes, like the waves, like the tides. The heatwaves, the heat domes, the wet-bulbs, the fires and the storms. You forget the mass die-offs, the coral catastrophe, the wars and the water shortages and every other awful artefact of the globally-heated Anthropocene. The worst of times, the best of times. There have always been terrible things in the world; what is different is now we see them, we face them, we deal with them, we do the needful.

    Sometimes the needful is surfing.

    Big wave coming. I paddle hard, pop up at the crest, turn, duck, dig in. Barrel! It lasts half a second, or maybe an eternity, the grin on my face reflected and frozen in the inner surface of the breaking wave like ice. Then the lip catches me and I go over the falls. Turned, tumbled, dumped and held. The surf pounds in my ears and I open my eyes. I can’t see a thing but I’m not winded — whew. My leg-rope yanks hard on my ankle and then slackens. It’s snapped. Somewhere up there, my board is tombstoning in the foam. I hold my breath and dig my hands in the sand for the next wave and pop up when things look less white.

    Leo is waiting. Smart kid, he’s figured out exactly where I’ll come up. “Dad! You all right?”

    I’m breathing heavy. Old man. “I’m good!” I say. “Just a hold-down. Most quiet time to myself I’ve had in years.”

    Leo punches me in the arm, but not hard enough to deaden it. I pull myself onto his board and paddle out beyond the breakers again as he swims next to me. When my breath is back to normal we catch the waves back in to shore. A bloke with a German Shepherd has snaffled my hire board out of the surf and the dog is losing its mind; it’s never found a stick this big before.

    We take the boards back to the woman at the hire stand next to the heat-shelter, and I get to pay extra for the snapped leggie. Leo spots a girl he knows from his statistics class — he’s nearly at uni level, kid is just ridiculously good at numbers — and they’re off chatting. I towel off, shirt on, catch up with Louise who’s been watching us through a zoom lens from the cafe.

    “That was a big one,” she says.

    “The wave or the wipe-out?”

    “The wipe-out,” she says. “The wave wouldn’t have cracked three feet.” She hugs me. “You were down for a long time. And you lost your board.”

    “Leo was there,” I say. I think about how weird that is. Kids are so strange in their teens. One minute you’re playing Eye-Spy with them on the train and they’re begging you to spot them a railway pie because they spent all their pocket money, and the next they’re a lean surfer dude ready to haul you out of the waves and paddle you back to the beach. And both these different things are true at the exact same time.

    The country has grown up too. People like to stay in Aotearoa now, or if they leave for an OE, they actually come back. Turns out it was the chronically low-wage economy — kept that way on purpose, for decades, to keep the inflation boogeyman at bay — and lack of any real opportunity that was driving people away. Who knew! In hindsight, it’s all a lot more obvious. No young person wants to stick around when the only way up is to become the small-time feudal lord of a dozen decaying houses, and hope you can ride the market out. Boring! Only the dullest, least imaginative people want to do stuff like that. Most people want to do interesting things, and for those things to be meaningful. In other words, they want to work. It’s just that before, a lot of the jobs were bullshit.

    They’re not now. The work is urgent, important, endlessly engaging. Everywhere you go, there’s a climate project, or a paid training opportunity. 75 year olds are bailing on retirement and getting university degrees in climate mitigation. Train conductor is something kids grow up wanting to be for the first time since, perhaps, the 1950s. And the world’s smartest people are pouring into Aotearoa to do climate work, because we’re finally funding it to the degree the emergency demands. When you do want or need to take a break from the world of work, the income guarantee is there to catch you, and there are no shortages of stipends and grants to encourage you to make something meaningful in your spare time. I’ve done it; I took a half-dozen years out to be full-time dad to Leo and paint pictures while Louise got really into collecting literary awards. We’ve swapped again now, and I’m back punching keyboards for climate. Now that there are dozens of independent local outlets running off carefully ring-fenced public funding — I’d like to see anyone in Government try and tell them what to publish, by law they’d practically have to bite their own heads off — it’s a lot easier to make a crust as a scribbler. In the past, we seemed to think that that job precarity would make people work harder. Of course, that was wrong: another one of those obvious-in-hindsight things. Productivity, whatever that is, comes of letting people do what they like.

    Louise and I watch Leo chat to his friend. She takes my hand and I hold it. It’s not clear what they’re talking about: from the gestures, it could be about seeing a really big fish or sketching out a box-and-whisker graph in the air. He’s not sure what he wants to do yet; one day it’s Zeppelin pilot, another it’s ecologist like his uncle, another it’s statistician, which was probably my biggest “are you really my son?” moment so far. Lately he’s interested in geoengineering, pumping meltwater out from under the big Antarctic glaciers and up onto the ice sheets to stop them sliding into the ocean. It’s funny to think he might actually want to stay in the country, though. When we were his age, all anyone wanted to do was leave. Anything to go somewhere real, to get out from under a stultifying culture created by and for frightened old white people, to escape careers that seemed to amount to a choice between real estate or cows, cows, cows.

    It all seems like a dream, a bad dream we didn’t know how to wake up from. There’s so much that’s harder now, so much that’s different. The world I grew up in is gone, and sometimes the sheer scale of everything we’ve lost and will lose to climate change feels impossible, a weight crushing all the breath out of me. But so many other things are better now, and that feels like magic. Just like in fairy tales and fiction, it turns out most of what we had to do was believe that it was possible.

    It’s the hottest part of the day. We’ll be here for a while yet, before taking the bus back to Waihi and catching the train home. Louise has her book, Leo has his friend and animated chatter about — I think I catch a sentence fragment — polynomial regressions, whatever those are. All is as right in our world as it possibly can be, and yet there’s so much more work to do.

    I get my laptop out of my bag and get back to it.

    All my writing here is free. If you like what I’m up to, I ask you to share it.


    This piece is intended as the chaser to a depressing shot. Some people told me that The Party That Can’t and The Party That Won’t was good, but very grim to read, and I wanted to write something that was the opposite of grim. So I wrote this. It’s a science fiction story, or at least I think it is. It’s fiction, and there is some science. And obviously there might be some fantasy elements. I don’t know if it’s physically possible to build a rapid rail network in ten years (although I suspect that with enough workers and funding it would be.) All that said, I still want you to take it entirely seriously. What could we accomplish, if we really put our minds to it, and we elected a government that both saw what was needful and (almost unprecedentedly) actually did it? And what would your story be, if we did such a momentous, important thing? That’s a take I’d love to hear in the comments. What does the Brighter Future — a term that I am intentionally lifting and shifting from the context of John Key’s National government — mean for you?

  • The Party That Can’t And The Party That Won’t

    The Party That Can’t And The Party That Won’t

    Approximately every three years I indulge in a bit of political punditry, which is about as much as I can stand. It’s nearly that time again, which is my opportunity to do something pundits almost never do: see what they got right and wrong.

    Here’s what I wrote after the last election, for the much-missed Public Address:

    But if I was to write my own hot take, based entirely on the undeniable fact of a left-wing election landslide, post-hoc anecdote and my own keen understanding of “the vibe,” it would run like this:

    Labour won because they demonstrated competence. The end.

    You can read the rest if you want but that really is the crux of the argument, and I stand by it. At the beginning, the Labour-led government handled Covid-19 well, especially compared to practically every other country on Earth. The proof is out there: unlike many nations that suffered enormous excess mortality, New Zealand experienced the opposite. The Government saw what was needful, and they did it. Numerous, perhaps inevitable, flubs aside — and despite endless attacks from the political Right and their mouthpieces in the media who were incapable of comprehending disruption to their precious status quo — the public saw it, and Labour were rewarded for it with the only single-party majority government ever formed under our brand of MMP.

    But that’s not where the article ends. Foolishly, I let myself be optimistic. Perhaps Covid was just the start: perhaps seeing that doing the right and needful thing could also be extremely popular with the electorate would set Labour up to do the urgent work on our neglected “nuclear-free moment,” climate change — and on health, and housing, and the cost of living, and every other facet of New Zealand’s polycrisis.

    People who vote for an left-wing party with explicitly left-wing principles should be rewarded with left-wing policies.

    Voters delivered the Left their election victory based on their rediscovery of the power of government to aid society; and to stay in power, they’ll need to continue wielding it.

    And that, of course, did not happen. Boy did it ever not happen. Now, almost three years later, we are faced with a return to a ruined status quo, and a seeming choice between two broken political alternatives:

    The Party That Can’t and the Party That Won’t

    Let’s get some definitions out of the way. When I say “can’t” or “won’t,” I am talking about what we ostensibly elect political parties for: to do the needful. And for the avoidance of confusion, the Party That Can’t are Labour. The Party That Won’t are National. We’ll get to them, but Labour are the government so they go first.

    The Party That Can’t

    The Covid-19 pandemic was still raging1 when Labour began to regress to its mean: a milquetoast, ineffective, appeasing, ever-so-slightly blunted version of the neoliberal status quo designed to appeal to “centrists” and in fact intolerable to anyone but the most determined party apparatchiks. Modern Labour’s can-kicking methodology is wearingly familiar to anyone who watches New Zealand politics for sufficient time:

    1. Commission a review on a really obvious problem, often carefully adjusting the terms of reference so no truly transformative measures are possible
    2. Do nothing while the review takes ages to report back and spends a bunch of money
    3. Seriously consider the review’s sensible, often restrained, recommendations. Put out a press release, and
    4. Do nothing
    5. Repeat until all your ministers have done something stupid and the electorate hates you.

    A list of all the reviews Labour has commissioned would be too long to write up (and, inconveniently for journalists but conveniently for Labour, there appears to be no central repository of them) but here are some highlights: they did almost nothing about the electoral review that recommended a voting age of 16, they did almost nothing about the welfare working group report that recommended sweeping changes to our cruel welfare system, they did almost nothing about the tax working group that recommended a raft of desperately-needed changes, even with a capital gains tax specifically excluded from their terms of reference, and they did nothing meaningful about the Commerce Commission “market studies” into the grocery sector, retail fuel prices, and residential building supplies. The results of flagship policies like Kiwibuild, an emissions scheme for farmers, an Auckland Harbour bridge crossing for the vast majority of things that aren’t cars, and light rail for Auckland are, in order: fucked it up, fucked it up by appealing to an industry who hates them, dithered to the point of absurdity before fucking it up, and didn’t even fucking start despite spending $44 million on consultants. Then there’s the things they’ve ruled out: asinine “Captain’s calls” on capital gains taxes and other issues that are popular with the electorate, while committing political seppuku with widely-loathed measures like petrol taxes. Labour, under Jacinda Ardern, failed to back cannabis reform so sensible that Canadians were into it. Consequently, the (needless) referendum was lost by a hair after opponents of reform were allowed to lie endlessly about the proposed law, with no correction from the Prime Minister or her Government. New Zealand now rejoices in an absurd situation where sufferers of chronic illness can choose to be euthanised for free but have to pay through the nose for medicinal cannabis.

    Labour also scored remarkable own goals by begging for the support of teacher and nurse unions at election time, then cynically denying overdue pay rises, leading to protracted strikes when school students and patients could least afford them. Even the reform Labour did manage to get off the ground — including centralizations of long-neglected healthcare (Te Whatu Ora) and water services (Water Services Reform Programme, née Three Waters) — were not explained or promoted with any kind of due care, which enabled right-wing astro-turfers like the Taxpayers Union to spread misinformation, seeding the rise of racist groups like Stop Co-Governance. To this day, you cannot drive past more than a couple of dozen houses in my town before encountering a Taxpayers Union-provided Stop! 3 Waters2 sign. What’s more, this reform has come so late that it’s far from entrenched, making it effortless for an all-but-inevitable right-wing government to repeal.

    They didn’t get everything wrong. What’s most infuriating about what they screwed up is what they got right. It bears repeating: New Zealand’s Covid response was unparalleled in its excellence. Covid is now one of New Zealand’s leading causes of death, having killed over 3000 people and with 1000 more set to die of it by the end of 2023, but research shows that an astonishing 20,000 lives were saved by our response. Twenty thousand priceless people, alive, who — if they’d been in nearly any other country, or if New Zealand had followed the ignorant urging of right-wing politicians and opinionist media — would almost certainly have been killed. This is heroic. The triumph should be shouted from the rooftops; it should go down in history. If there’s any justice, it will.

    There were other wins. Increasing the minimum wage was consequential for the working poor, who would never see the Right’s proposed tax cuts for higher earners. Labour enabled Kainga Ora to build a lot of public housing.3 Doubling sick leave entitlements from a paltry 5 to a slightly better 10 days was not only humanitarian common sense but good for the economy. The wave of fascist anti-LGBT sentiment experienced by many countries seems to have broken before hitting New Zealand, with the result that Labour managed to pass laws banning harmful conversion therapy and reducing barriers to gender self-identification. Labour also delivered much-needed abortion law reform, removing abortion from the Crimes Act.

    But you can — and I will — argue that much of this, excepting the Covid response, amounts to fiddling on the margins of what’s possible, and doesn’t even approach doing the needful to New Zealand’s current polycrises: health system collapse, housing, education, transport, the cost of living, and most of all, climate change. What’s more, our Covid response has declined from world-beating to practically non-existent. Expert urgings to implement non-intrusive, cost-effective measures to prevent illness and death from not just Covid but other respiratory illnesses — primarily by improving ventilation in buildings and mandating masking in healthcare settings — have, characteristically, been ignored or fumbled.

    Naturally, New Zealanders are deserting this festival of incompetence in droves. Which leads us to:

    The Party That Won’t

    “Labour,” the logic seems to go, “has proved incapable at tackling the systemic issues that beset New Zealand. Therefore, let’s elect… the other guy!”

    This mindset is encouraged by the political media, many of whom love nothing more than promoting the perception of a two horse race. Labour are (often justifiably) ripped down, just as National (utterly unjustifiably) are lifted up. This is far from universal. The one great law governing media is the promotion of conflict, and when conflict can be juiced from telling the truth about National’s blunders, the news will Do Its Duty. We see this in the treatment of National’s unworkable tax plans and fantastical costings, which — while first uncritically hailed by Newshub’s Jenna Lynch as a “masterclass of political marketing” — have now become a millstone around leader Christopher Luxon’s neck, sparking fiery interviews and scorching op-eds. It’s funny because Luxon, the seven-house-owning living avatar of the landlord class whose self-styling can best be described as “sentient real-estate ad,” has no idea what his numbers are or what to do with tough questioning, but it’s sobering, because this guy will in all likelihood be the next prime minister. The overall, inescapable impression from the polls and media narratives (sometimes unstated, sometimes overt) is that these parties are much the same; that Labour are just National-lite, and the electorate might as well roll the dice on getting a more competent version.

    In some ways this is true. In others, it’s extremely not. If Labour are a racecar that did one heroic lap before stalling out, National and Act4 are the same car, careening wildly in reverse. Labour has failed to enact much-needed climate action, but National will reverse some of Labour’s paltry gains, and reopen offshore oil and gas exploration. At the time of writing, Queenstown has spent weeks collectively vomiting and there are sinkholes eating Auckland because our water and sewage infrastructure is wrecked, which Three Waters is an attempt to finally fix; National have promised to repeal Three Waters and gut Labour’s resource management reforms. In a cost of living crisis Labour has, at long last, enacted worker protections; National will immediately destroy them, bringing back punitive, unfair 90 day trials. Thanks largely to the Greens, Labour have given renters some protections; National will introduce no-cause evictions. And — perhaps most damningly — while Labour has often failed the poor and those who rely on benefits to live, National has sworn to be vicious to them. It’s also worth considering what happened last time National ran the Government: the result was a litany of scandals including the Dirty Politics revelations that the Prime Minister’s office was running a PR hit squad, and an exacerbation of crises including housing, homelessness and health.

    National also built some roads. Often economically unjustifiable, climate-ruinous roads. About the only thing The Party That Won’t will build is roads.

    As anyone can see, National and Labour are not the same. And yet. As leaders Chris and Chris themselves admitted during their first debate, there are inescapable similarities — and the reasons that National won’t do the needful and that Labour can’t amount to the same thing.

    There Is No Alternative

    Most years, the great neoliberal institutions of the world pool their titanic minds and gravely declare New Zealand the best country in the world. In 2020, the World Bank dubbed us the best country for “doing business.” The Cato Institute, a US-based free-market think-tank, ranks us top among the nations for “economic and human freedom.” In 2020 we were first, in 2021 and 2022 we were a close second, tucked behind another mountainous bankers’ paradise: Switzerland.5

    Time for another definition, because “neoliberalism” can easily be a woolly descriptor for “things I don’t like.” For the purposes of this article I am using Naomi Klein’s definition, from This Changes Everything: neoliberalism is capitalism unbridled, featuring “privatization of the public sphere, deregulation of the corporate sector, and the lowering of income and corporate taxes, paid for with cuts to public spending.”

    And this matches New Zealand perfectly. This country is so neoliberal it’s forgotten how neoliberal it is. Thanks largely to former Labour Finance Minister (and later Act party founder) Roger Douglas, and followed by National Finance Minister Ruth Richardson, New Zealand pioneered the art of making inflation (when everything becomes more expensive) go away by raising interest rates (which makes everything more expensive), and intentionally creating recessions and making people unemployed to fix the economy.

    I fear that last bit might have escaped attention due to how mind-boggling it is, so it bears repeating: unemployment is intentional. Our low wage economy is kept that way, on purpose, lest we awaken the inflation boogeyman.

    You could be forgiven for thinking that unemployment is a bug in the economy, as opposed to a feature. After all, governments boast about low unemployment rates, and opposition politicians use high unemployment as a cudgel. What’s more, people without jobs are demonised. Unemployment, politicians say, is indicative of laziness, of an improper lack of personal responsibility. Beneficiaries — unemployed people who require Government support — are frequently characterised as bludgers, or more recently, “bottom feeding” by the likes of National party leader Chris Luxon.

    Nothing could be further from the truth. Every neoliberalised economy harbours the same heart of darkness. Somehow, it’s still not common knowledge that the economy is set up to make sure that around five percent of the population will not have jobs. But sometimes this part of our societal setup, normally kept quiet, gets said nice and loud.

    50,000 people may need to lose their jobs to bring inflation under control” said a Stuff.co.nz headline on September 23, 2022. Economists at the Financial Services Council Conference — a kind of festival of boredom — said “unemployment might have to rise from 3.3 percent to five percent before inflation was back within the central bank’s target range.” In other words, the best thing for the economy is for more lives to be ruined by lack of work.

    This is the status quo we’ve lived with for almost four decades, and Labour and National’s attitude can perhaps best be summed up by this timeless cartoon:

    Original webcomic of the anthropomorphic dog in a house that is on fire and stating that this is fine, before being consumed by the heat of the blaze

    Labour is, perhaps, a bit less fine with it, which is why the Reserve Bank Act 2021 requires our monetary policy overlords to consider the “maximum sustainable employment rate” before deciding that the employment rate is unsustainable and hiking interest rates anyway. National has promised to remove even this weak provision, the better to sacrifice people’s jobs on the altar of low inflation.

    Of course, they do all this while promising to crack down on and sanction beneficiaries who don’t get the jobs that their own policies are taking away. There’s never been a more literal case of heads they win, tails you lose. But Labour do it too. Both major parties are steeped in the same economic orthodoxy that Margaret Thatcher told the world there was “no alternative” to — and, over time, the bars of our economic prison have become invisible. The Party That Can’t and the Party That Won’t are equally addicted to the neoliberal status quo, and this frames every possible policy choice and political calculus. This, in addition to common cowardice and basic ineptitude, is the reason we cannot have nice (or needful) things.

    Can we face down the nuclear-free moment and do something about climate change? No, we cannot, because the neoliberals at Treasury will tell us that it is too expensive, without accounting for the staggering opportunity cost of not fixing it. Can we implement a wealth tax or a capital gains tax, both of which are popular with the electorate? No, because the Business Roundtable New Zealand Initiative will summon its ultra-neoliberal economists and home-grown political editors to haunt us with spooky tales of our most bloated parasites perhaps leaving the country (oh, no!). Can we reign in some of the world’s most profitable banks, fix the broken property market, or tax the mega-profits of our supermarkets, puffed up like ticks from greedflation?6 No, no, and no. Even Labour’s ridiculous overspend on contractors and non-start on light rail is par for the neoliberal course; with public services hollowed out from years of neglect and cost-cutting, and without a Ministry of Works to do works, Labour are forced to go to the private sector, who have fast figured out that taking money and not doing things is much more profitable than doing them. Our neoliberal consensus forbids us from doing the needful with either borrowed or taxed money; instead we must always work towards Surplus, labouring under the fiction that a sovereign government that can literally make up money to pay for whatever it likes is somehow like a household’s finances. We are so neoliberal, so mired in our essential brokenness, that some of the most neoliberal institutions on Earth are begging us to be a bit less munted. We have the OG Vampire Squids, Goldman Sachs, warning National that their proposed tax cuts will require more poor people to be sacrificed are inflationary. We’ve got the International Monetary Fund, loan sharks to Global South economies, telling us to hurry up with the goddamn capital gains tax already.

    I feel almost sorry for Labour, because they’ve been such good neoliberals. Every time they were chastised for not doing enough, they did less. They tilted to the centre, and their poll numbers plummeted. Surprised, they did it again, and again, and again. Meanwhile, their remaining cheerleaders on social media rage every time someone in National dares cast aspersions on Labour’s economic record, because against many odds (including the ones created on purpose by the Reserve Bank) they have managed to keep GDP positive and public debt low (relative to most other developed nations.) No matter how much misery or fury the electorate felt, they could point to a graph and say “but see? Line goes up!” Labour’s tiny but endlessly vocal army of desperate apparatchiks seem to miss the point that people can’t eat graphs and that an ongoing ministerial clown-show kind of overshadows the economy being a bit better than most of the rest of the OECD. In fact, it’s almost like — whether they realise it or not — most normal people don’t actually care about the economic indicators that we’re told endlessly about, by politicians and political commentators.

    Instead, it seems we care about having competent leaders who might do what’s needful.

    Labour have proved incompetent, so the swing voters of the electorate have pinned their hopes on National. These voters hope the Right will trump all current evidence and previous trends and turn out to be competent. They won’t. The Party That Won’t — plus the neoliberal cultists of Act and the anti-science lunatics of New Zealand First — will be cruel, and their neoliberal enthusiasms will leave us even less prepared for the fresh horrors our warmed climate has in store for us.

    The one saving grace and remaining hope for meaningful climate action is that, of course, you can vote for someone else.


    Thanks for reading. This post, like all my work here at the Bad Newsletter (and my other newsletter, The Cynic’s Guide To Self Improvement) is free. You can pay me back by sharing it. In fact, I’d love you to not just share but make use of this post: take what I’ve said and read it out on a video, add in all the other damning facts I’ve either forgotten to include or didn’t have room for; quote it, turn it into Tik-Toks.

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    CORRECTION: A previous version of this post had a footnote that stated that Act policies include “include a tax hike on poor New Zealanders earning less than $70,000 a year.” This, as far as I can tell, was incorrect. The corrected statement is “include a tax hike on the 50+ percent of New Zealand earners who make less than $48,000 per year.”


    1. Especially for the most vulnerable, the pandemic rages still, and it may never truly stop.

    2. Sic.

    3. Not enough, but still.

    4. This is Act as led by David Seymour: a sniggering, snivelling, hateful gremlin who, after a career spent as a right-wing lobbyist, now enjoys a seemingly permanent easy ride in the media despite the slow-dawning realisation his party list has accrued more cookers than a kichenware store. Seymour leads an ostensibly classical liberal party whose only ideological consistency is a committent to viciousness so profound that they have been repudiated by their founder; whose signature policies include a include a tax hike on the 50+ percent of New Zealand earners who make less than $48,000 per year and not allowing owners to do what they like with their own property.

    5. Hilariously, Switzerland has both real-estate capital gains and wealth taxes.

    6. Before this report came out BusinessNZ commissioned one that concluded that “greedflation” wasn’t a thing in New Zealand, which is a bit like hearing foxes say that the henhouse is fine actually and in fact could do with more chickens and fewer doors.

  • The #1 thing most adults wish they could get better at

    The #1 thing most adults wish they could get better at

    Gidday Cynics,

    This newsletter has been a long time coming. This is strange, because it’s one of the very few areas in self-improvement where I already understand the topic, I’m reasonably proficient at it, and I even know a bit about how to teach it. What’s more, it’s a popular subject. A couple of weeks ago, when I asked if people would like to know more about how to draw, people were keen. A bunch of you shared your stories in the comments:

    I’d love to hear what you have to say about art in education ~ at school, all I ever wanted to do was succeed in art.

    I was good at it, and didn’t give a fuck about any of my other subjects. When my results came back from my 7th form painting portfolio submission, I had failed, due to “too much pen and not enough paint”. It absolutely crushed me and I didn’t draw a thing for at least 4-5 years after that…

    I WISH I could just make art. But my brain keeps getting in the way.

    The above is, unfortunately, a common experience. Many kids have an instinctual love of art burned out of them by the school system, and this later haunts their adult efforts at visual creativity. Hopefully what I’ve got to say will show a way around it.

    Love love loved this! Inspiring and relatable, esp as someone who has just started sketching, largely because words – for so long my main creative outlet – have begun to fail me.

    Oof. I know that feeling. But it’s fantastic to have another outlet that isn’t writing, and in my experience, one can usefully inform the other.

    I’d love to read more about your process and philosophy around art. I’m one of those who gave up as a kid because I was only good at reproduction but couldn’t draw anything realistic from memory, or creative that wasn’t based on a real thing.

    Again, this is really common! In particular, being able to draw realistically from memory is bloody difficult — but it really is an acquirable skill.

    I would love a bigger ‘art’ post. My daughter loves to draw but sometimes she will throw the pencil down & refuse to go any further because it’s not turning out the way she envisioned, and yet her wee drawings have so much joy and vitality in them and I don’t want her to lose that. It would be great to share some of your wisdom with her – she thinks your painting of Bianca is amazing too, so words from the actual artist will carry some weight (no pressure, haha!)

    Once more: this is incredibly common. A huge number of kids go through a stage where they feel powerfully compelled to draw “realistically” but the shortfall between their ambitions and ability leaves them frustrated. Often, adults are of no help at all, because it’s easy for their attempts at support to backfire horribly. “Oh, honey, that looks wonderful!” is — in the mind of a child who’s trying to draw realistically — an obvious, patronising lie. It objectively does not look wonderful. And saying “Oh, don’t worry, it doesn’t have to look realistic! Just look at Picasso!” or something similarly well-meaning can be even worse, because you’re ignoring what they actually want to accomplish: to draw something that looks like what it looks like. And that leads us straight to the beginning of our lesson:

    Nothing looks like what you think it looks like.

    Look, I drew a thing. What do you see? It’s not a trick question: just react honestly, and then scroll down.

    An image of a smiley face.

    If you said a smiley face, well done! This is a fundamentally normal way to react to what I just drew. You might even have smiled back. As scientists at Australia’s Flinders University found, our reaction to a smiley face (or emoji, or emoticon) is a fascinating “integration of a learned and innate response.”

    But with all that said, it’s just a circle, two dots, and a curved line. It’s not much like a face at all. To make the point, imagine what emoji would look like with realistic human features. In fact, to save you the trouble, I’ve found an example.

    Thanks I Hate Realistic Emoji Thanksihateit - Smiley,Emoji For Lol - free  transparent emoji - emojipng.com
    😂

    Distressing, eh?

    What about this one?

    A loosely-drawn eye symbol.
    Eye see what you did there

    You can see where I’m going with this. A real eye is a ball of gristle and blood and goo, moist and gleaming, surrounded by folds of skin, hair, and greasy membranes. The window to the soul, perhaps, but only in the most Lovecraftian sense. Obviously, those curved lines and dots up there aren’t an eye, and the longer you look at it, the less like one it appears. It’s just a symbol. So why do we see it as an eye?

    There are a number of answers to that question, and they go some way toward explaining why drawing is so hard for many people. But the easiest (if not strictly accurate way) to explain the answer is to flip the question on its head: it’s not just that we see a symbol as an eye; it’s that we see real eyes as symbols. And, as it turns out, pretty much everything else.

    A sketched image of an eye.
    You call that an eye? THIS is an eye.

    There’s nothing wrong with this. We need symbols, least of all for reading. Children almost invariably draw symbolically. Adults who haven’t learned to draw “realistically” can still draw symbols; this is the reason that self-confessed terrible artists can absolutely slay at Pictionary while people like myself can be quite bad at it. And I need to be careful: I am using metaphors to plaster over several lifetime’s worth of art instruction, psychology, and neuroscience. Obviously, we do not literally see the world as hieroglyphics1, but there’s some weird shit going on that only becomes clear when you either dig deep into medical literature or try to draw something realistically, and the seeing-the-world-as-symbols metaphor will start to make sense.

    Let’s talk seeing. As you’d expect, seeing begins with the eyes, but they’re only part of the picture. The rest is (neuroscience term incoming) brain stuff. Seeing is important to humans, and enormous brain resources are dedicated to it. Weirdly, images are processed in the back of the brain, with the optic nerve running all the way from the back of the eyes to near the rear of the brain. What’s more, the nerve flips half-way, to ensure that the images from your left eye are processed by the right side of the brain (which runs the left side of your body) and vice versa.2 Oh, and because of how lenses work your eyes receive images upside-down, like looking through binoculars backwards: it’s your brain’s job to flip them up the right way. Confused? Don’t blame me, blame either a. evolution, or b. the Creator’s ineffable grand design. It amounts to the same thing in the end.

    This is just the start of it, though. Only the central part of your retinas are able to perceive colour well: but the fact that you appear to see everything in rich colour is a trick performed by your brain. Ever seen a cat out of the corner of your eye but it’s actually a rubbish bag? Brain stuff: your grey matter simulates what things might be before it concludes what a given thing actually is. Are you able to tell how far away objects are, or catch a moving ball? Brain stuff. And can you tell instantly that your attempt to draw a self-portrait or a motorbike or a school-curriculum-mandated scene of a “Spanish” helmet sitting on a New Zealand beach does not look like what it’s meant to look like but — infuriatingly — you have no idea why, or how to fix it?

    Yup. Brain stuff.

    It can sometimes be alarming to realise what you see is not exactly what is, but it’s true, and can be proven with optical illusions. Here is one I nicked from the University of Queensland:

    An optical illusion where A and B indicate squares that appear to be different shades - where they are in fact the same.
    You probably know that A and B are the same shade, because you’ve seen optical illusions before and this is that kind of article. But your visual brain, just like mine, refuses to believe it. A is obviously lighter than B.

    Most adults cannot draw

    It bears repeating: if you cannot draw, you are not alone. In fact, you are part of a large majority. You see art all the time, and this may make you think that drawing is a common skill. It is not.

    Science has had a good crack at trying to understand how the cognitive conditions I’ve outlined relate to drawing. A 1997 paper titled “Why Can’t Most People Draw What They See?” concluded that:

    (a) motor coordination is a very minimal source of drawing inaccuracies, (b) the artist’s decision-making process is a relatively minor source of drawing inaccuracies, and (c) the artist’s misperception of his or her work is not a source of drawing inaccuracies. These results suggest that the artist’s misperception of the object is the major source of drawing errors.

    In other words, there must be some brain malarkey going on in how humans perceive objects that specifically relates to drawing. It’s not a matter of being clumsy, either. The study found that non-artists who struggled to draw recognisable objects or faces could still trace a photograph just fine. Yet “misperception of objects” is also clearly an oversimplification, which the authors admitted; perception of objects is something that most humans are fundamentally good at.

    Since then, research has continued. “The difficulty adults find in drawing objects or scenes from real life is puzzling, assuming that there are few gross individual differences in the phenomenology of visual scenes and in fine motor control in the neurologically healthy population,” begins “The genesis of errors in drawing,” a 2016 review of the scientific evidence on the topic in Neuroscience and Biobehavioural Reviews. “However, the majority of adults are rarely able to put down a passable likeness of their visual experience onto paper.”

    This is Science for “look, sure, brains are different, but by and large most people tend to process images in similar ways and most people can pick up a pencil. So why is nearly everyone so shit at drawing?”

    Their paper reviews a huge swathe of the available literature to come to the conclusion: it’s complicated. Just ask our resident scientician, Dr Lee Reid:

    “The biggest factor is that the visual system breaks down into different pathways that interact but progressively become less and less connected to each other — and at the end of one of those pathways is your hand,” the actual neuroscientist says. “That pathway has evolved to guide your hands — or your feet or your head or whatever — towards objects or away from objects, so you can catch a ball and things like that. That uses a very different set of skills to identifying what something is.”

    These different pathways, Lee explains, lie at the heart of why people often find drawing so different: there’s a physical distance between them in the brain and they aren’t very connected to each other. Imagine two large motorways, both with different destinations, and the only way between them is a dirt track that’s prone to flooding. Brains are creatures of habit, and forming new neural connections is energy-intensive, especially in adults. So, when the brain does try to connect the two different tracks — as in, when a non-artist tries to draw something — it prefers to avoid the dirt track, sending you on a detour via the well-travelled roads of Symbol Country.

    “The processing in the middle breaks everything down to symbols, which you already have in your head. So it’s less that people don’t perceive things, it’s just that symbols are coming into play,” Lee says. He suspects that the ability to draw simply isn’t as evolutionarily useful as the ability to, say, pick things up, throw and catch objects, and know what stuff is. “Probably, when you’re learning to draw, what you’re actually learning to do is to connect the ends of those pathways a lot better.”

    So, informed by these papers and my discussions with Lee, here’s my crack at what’s going on in the brains of adult non-artists when they try to draw something.

    When you try to draw, you are faced with not just your brain’s penchant for symbols. You face that instinct plus dozens of optical illusions and cognitive delusions — perhaps more. You are trying to form new neural connections over an unfamiliar path that your brain would rather not use, which is always difficult, especially in adults. In all probability, you also face an inner critic who is perfectly capable of seeing that what you’re drawing doesn’t look anything like real life and isn’t shy about telling you in the strongest possible terms. And you are expected to (or are expecting yourself to) instinctively deal with or bypass this cognitive onslaught in order to render something realistic.

    Without training, or a rare quirk of neuroatypicality, it’s like trying to do calculus without ever having learned how to add 2 + 2.

    So, if you’ve ever beaten yourself up for not knowing how to draw, you can stop. It’s a miracle anyone learns to draw at all.

    But, also miraculously, it’s almost certain that you can still do it.

    Of course, there’s a self-help book for that. Luckily, it’s a very good one.

    An image of the book "The New Drawing on the Right Side of the Brain"

    Drawing on the Right Side of the Brain is an instructional book by Betty Edwards, former professor emeritus of art at California State University. First published in 1979, the book’s fundamental thesis is that abilities we’re taught to prioritise — writing, arithmetic, spoken language — are mediated by the left side of the brain, and more “holistic” abilities like drawing live on the right side of the brain. These are often repressed, but can be unlocked. It’s a fascinating theory, and it’s wrong. As partially detailed above (and explored much more thoroughly in the four decades of neuroscience and psychology research since 1979) it’s much more complicated than just left brain vs right brain.

    However, where the book fails as science, it succeeds as metaphor and pedagogy. There is a good reason that, when asked how to learn to draw, working illustrators will often respond “start with Edwards.” When I first read it, as a kid who was “good at drawing” but was perpetually frustrated with the process, it blew the doors off my artistic development. Here’s the tenet that did it:

    Drawing from life is just tracing what you can see.

    This sounds ridiculous so please indulge me to prove the point. If you’re a non-artist, have a go at this exercise. You’ll look a little silly so either find a private spot or be prepared for intelligent questions from curious colleagues. Stop whatever it is you’re doing and look around you. Hold your head still. Shut one eye. Use your finger (or a pencil or pen) to trace the outline of objects around you in the air. It doesn’t matter what the objects are: a mug, chair, bunch of bananas, vase of flowers, a curious two-year-old. The more complex, the better.

    Could you follow the outline of an object with your finger? If so, congratulations, you can draw. Drawing is just doing the same thing — on paper.

    I understand this might seem too simple, especially for adults who might have struggled to draw many times and whose petulant inner 12-year-old art critic is even now stomping off in a huff.3 But that’s really it. This one simple trick™️ (artists hate it!)4 can help blaze a new neural path through years or decades of adverse conditioning. Again: take what you can see, and trace it, on paper. That’s drawing.

    The other vital thing that Edwards offers is a way to disconnect from your inner critic. You’ll need the critic later in your drawing journey, but at the very start it’s a nuisance that simply can’t comprehend why your drawing doesn’t look like what you want it to. The right drawing exercises can help you first quieten the critic and then offer it gainful employment as an ally, with a minimum of self-scolding or hissing “shut up” to yourself.

    But here’s the funny thing: perhaps because I already liked drawing and did a fair bit of it, this advice and a few basic exercises was enough to take my drawing to another level. I never actually finished reading — or working through — the book.

    So. Want to go through it together? If you’ve been wanting to learn how to draw, this might be a great opportunity. Let me know in the comments, or reply to this email.

    In the meantime, here is a time-honoured, counter-intuitive, meditative, and often quite trippy exercise that appears in DOTRSOTB, which contemporary neuroscience5 suggests actually has a lot to do with how artists draw all the time, and which we will use to temporarily unhook drawing from your ability to self-criticise. It’s called:

    Blind contour drawing.

    YOU WILL NEED

    1. A pencil

    2. A blank sheet of paper

    3. 10 to 20 minutes or so of free time

    4. Hands6

    Here’s how to do it. Sit at a table or desk. Put a piece of paper down. Take your drawing hand — it doesn’t matter if you’re right or left dominant — so you’re holding a pencil poised near the middle of the paper. (If you like, you can tape the paper to the table, to make the next steps a bit easier, but it’s not required.) Now, turn away from the paper, so you can’t see it, but leave your hand where it is, ready to draw. Position your non-drawing hand so you can see it clearly.

    Now draw the lines of your hand — without taking your pencil off the page or looking back at the paper. Do it very, very slowly, as if you are tracing every fine line and detail in your hand with the pencil tip. This will drive your inner critic nuts. If you’ve ever doubted you have one, this will dispel this notion. Tell your critic it can look at the drawing — later. If you’ve done mindfulness meditation, this may feel familiar. Note feelings or thoughts and just keep drawing. Draw all the lines in your hand. Look for finer details, then draw them. It may feel a bit weird. It may feel very weird. You may feel as if your hand is a fractal infinity, an endless spiral of detail down to the very atoms, a masterwork of extraordinary and strange proportions that you’ve never truly witnessed before. Or you may be slightly bored and feel a need to go to the toilet. Roll with whatever comes up. If you accidentally take your pencil off the page, put it back down and keep going.

    Then, after at least ten minutes, look at the drawing.

    If you’ve done it according to the instructions, it will look like nothing at all. Or perhaps a topographic map, or a river valley, or strange, indecipherable writing. As always, your mileage will vary.

    This is what mine looks like 😏

    This exercise achieves two aims: it helps you learn a vital drawing skill — tracing the contours of reality — and produces something so abstract that your inner critic should have absolutely no idea what to do with it. Instruct it. Appreciate what you’ve made. “Look,” you can say to yourself. “I created something weird and beautiful, for myself, and for its own sake.”

    And that’s art.


    Thanks for reading. This article, like all my stuff, is free. If you have found it helpful, please share it, and encourage your friends to subscribe.

    See you in part two, where we’ll discuss why you (almost certainly) never learned to draw as a kid, even if you did art at school.


    1. If you do see in hieroglyphics, seek medical attention.

    2. I am oversimplifying. There’s some overlap because you (probably) have two eyes, and what’s in front of you is left of one eye and right of the other.

    3. I mention 12-year-old critics for a reason: 12 is around the age that artistic development often stalls out in children that don’t get adequate drawing instruction. If you’re a non-artist and you’re in a psychoanalytical mood, try drawing something complex and difficult, like your own or someone else’s face. You’ll probably have a bad time, but don’t worry about that for the moment. Instead, try to analyse the internal criticism that crops up. What does it “sound” like? Does it have a voice? What does it remind you of? Of course, your mileage may vary, but mine sounds a lot like a snot-nosed kid saying “Oh my goshhhhh this drawing suuuucks” and I don’t think that’s a coincidence.

    4. They don’t. Artists generally love it when more people learn art.

    5. Article too long, so this goes in the footnotes: new evidence suggests, incredibly, that skilled artists spend much of their time drawing blind. They’re looking at the subject of their drawing a lot more than they do at the drawing itself, which suggests the brain has learned to simulate what the drawing hand is up to. Here are Chamberlain and Wagesman with their explanation, my emphasis added: Large parts of the time spent drawing are spent ‘blind drawing’ during which time the artist does not look at his drawing hand. In a functional neuroimaging study, Miall et al. (2009) found that the act of drawing blind remains consistent with visually guided action, despite lack of direct visual input.

    6. You don’t actually need hands. You just need something complex to draw and a way to hold a pencil. I’m not being snide; history is replete with extraordinary examples of disabled people who do not have full or (any use) of their hands learning to draw. As a kid, I did some watercolours with our neighbour. Her mother had been poisoned by thalidomide while pregnant, and she was born with deformities in her limbs. Despite this, she was an excellent painter. I’m very grateful to this lovely person, who was very generous with her time to a curious 10 year old.

  • The Biggest Liar

    The Biggest Liar

    Political debates are shit.

    Not only do they not follow the rules of actual debates, they’re a boring yet simultaneously wildly frustrating sideshow in which politicians demonstrate their ability to give glib answers to (sometimes) important questions. What’s more, in New Zealand, they further the pretence that our political system is a two-horse race.

    However, they are useful in one way: they do a wonderful job of surfacing weirdness from political journalists who think their job is coaching politicians on how they might better their appearance. In this regard, the TVNZ First Leaders debate of 19 September did not disappoint. From the Spinoff Bulletin:

    According to the New Zealand Schools’ Debate Council, there’s no such thing as a draw in debating and a winner must be declared. All five adjudicators from the Herald (paywalled) gave the debate to Luxon but its assessment opens with the Herald’s political editor Claire Trevett calling it a “snoozefest” so that’s damning with faint praise.

    All five Herald pundits gave it to Luxon? This is unsurprising, because the Herald was founded as a vehicle for reactionary politics and it’s stayed unswervingly dedicated to that mission for most of its long history. So, for entertainment purposes, I’m going behind the paywall to fetch some of these takes because history suggests they’ll be more cooked than a burned steak.

    Audrey Young – Herald senior political correspondent

    Chris Hipkins made better use of facts, such as the actual wages that have been lifted for nurses, for example, and the different approaches to addressing young criminals – an 80 per cent success rate for Labour’s wrap-around response versus an 80 per cent failure rate for National’s boot camps.

    Christopher Luxon, despite saying he doesn’t do bumper stickers, relied more on glib slogans such as his answer to tackling the climate emergency: “You’ve got to have a plan and you’ve got to get things done” and his dismissal of GST off fruit and vegetables as “a couple of cents off your beans and carrots”.

    OK, so Hipkins ‘“made better use of facts” and Luxon “relied on glib slogans.” So that means Hipkins wins, right?

    A screenshot of text that reads "Winner: Christopher Luxon"

    What? And this is behind a paywall. Imagine giving the Herald actual money only to receive this tier of analysis.

    Thomas Coughlan’s is even weirder. I’ll just quote it at length and bold the best bits.

    Thomas Coughlan – Herald deputy political editor

    Christopher Luxon won tonight’s debate. He was more confident, articulated his plans more concisely, and did a better job wrestling Chris Hipkins to the ground when he was on a roll.

    Hipkins’ basic message was a strong one, New Zealand cannot go forward by winding things back, but Hipkins did not cut in on Luxon enough to make that point.

    Ah. Hipkins didn’t break the rules of debating by interrupting constantly. What an idiot. Clearly, Luxon won.

    Fortunately, it seems to have occurred to TVNZ that its audience might like to know about a concept, underutilised in political journalism, called “the truth.” To that end, it released a fact-check of its own leader’s debate. It’s noteworthy that TVNZ journalists didn’t do the fact-check themselves; they got academics at Auckland University’s Public Policy Institute to do it.

    Their finding was that Luxon had comprehensively won the debate, if by “won” we mean “lied his ass off.

    For convenience’s sake, and because I’m going to assume that the highly successful businessman is an intelligent person who knows what he’s doing, I will call anything that’s “mostly untrue” or an outright untruth “lies.” And because I’ve never been great at maths, I will make a spreadsheet.

    So yeah. For the avoidance of doubt, I have also made a pie chart that is less a pie chart and more the Japanese flag:

    A pie chart that's actually just a big red circle.
    I see red, I see red, I see red.

    How did the Herald, whose pundits (lest we forget) unanimously gave the debate to Luxon, address the topic of falsehoods in the debate?

    Hipkins has admitted the fizzy drink ban claim he made in last night’s debate was incorrect  Hipkins has admitted a claim he made in last night’s debate was incorrect when he said fizzy drinks were banned in primary schools.  During the debate, Hipkins made the claim as he revealed Labour’s intention to apply the ban in secondary schools, saying evidence for its extension was in the existing ban.  Today, while standing at Wairoa Airport, Hipkins fessed up, saying that he had misunderstood the result of work done by the Ministry of Education on whether fizzy drinks should be banned in primary schools.

    Ah. By correcting something he got wrong, Hipkins has “fessed up.” Oddly, scrolling the same Herald liveblog that details Hipkins’ abject confession on the topic of fizzy drinks, I can’t find any mention or self-correction of Luxon’s multiple debate misstatements. But that’s OK! Optics are what matter most, and — in a time of crisis so acute that the UN Secretary General describes it as humanity having “opened the gates to hell” — we’re blessed to have political journalists to tell us which politicians have mastered the Good Look.

  • Interlude

    Interlude

    A quick one, this week, because, well…

    Our cat Bianca died a few days ago. It was sudden. We’d hoped to have a couple more weeks, but she became unable to eat, and keeping her longer wouldn’t have been right.

    She arched and smooched and purred in the vet’s surgery, right until the end.

    There is a lot I would love to write about our wonderful cat’s passing, about the startling sadness that the death of a pet can create, about how it tangles up with the loss of other loved ones, and even stirs the ashes of grief past to reveal long-smouldering coals.

    How tired being sad makes you.

    When I try, I choke. I can feel the words rattling around up there, even hear them, but between up there and this keyboard, this screen, there is a relay that isn’t working. Like a cat that meows at the door and then won’t come in, as she did, as all cats do.

    So I’ll talk about a video game I liked instead.

    That screenshot is from Gris, a 2018 game by the Spanish developer Studio Nomada, and it came from nowhere — I saw it by chance on GamePass, a service I subscribe to sporadically — to become one of my favourite games.

    This is because it is less a game and more an interactive painting, a work of the most stunning animation, and a rich, emotive soundscape.

    It is about grief.

    Gris leverages the notion of the stages of grief, which — while being medically mythological and psychologically problematic1 — can still have a use as art. In this case, the metaphor is literal: grief as actual video games stages. Hah.

    It begins, as grief does, with the world shattering around you, plunging you into something unknown.

    And you are battered and buffeted by storms that seem to come from nothing, from nowhere, and relent as quickly as they arrived.

    And as you move through it, you find a way to live with grief; to appreciate its presence as a reminder of something you loved.

    The gameplay mechanics, in one aspect, are simple but pin-point perfect platforming. On another, they are experiencing emotion. It’s not like merely looking or listening, it is performing it, living it.

    Because of this, you can feel extraordinary catharsis as you move through the stages. It is precisely the same sort of release you get from putting on sad music when you’re feeling down, but multiplied (in my case, at least) ten thousand fold; it is homeopathy for the soul. With the notable and useful caveat that, for once, this homeopathy actually has an effect.

    Gris is available on pretty much any device you might like to play games on, from PC to PS5. It’s even on the iPhone. I’d recommend it to anyone who likes meaningful art, music, or who has experienced loss, and I think that’s… pretty much everyone.

    Your results may vary. With the stuff that’s happened over the last few months I could probably be brought to tears by an emotively-shaped paperclip, so take all this with a grain of salt. I think you’ll like the game, though. It’s only a few hours long. Give it a go, even (or especially) if you’re not normally a gamer. For my part, I’m just grateful to Gris for helping give form to something that’s so amorphous, so difficult to talk about. If there are any other games — or works of art, or movies, or albums — that make you feel the same way, then please feel free to talk about them in the comments.

    And now, some housekeeping.

    Season One is almost over.

    I like the idea of splitting this newsletter up into seasons, like a TV show, or, you know, the year. And once I’ve got that last commissioned painting finished, I’ll have caught up on the things I was most behind on. Having actually achieved some self-improvement feels worthy of a demarcation. I am thinking of calling Season One The Baggage, because I feel like there’s a lot that I’ve unloaded from the brain’s endless conveyor belt, but I’m open to suggestions.2

    Over the next season, I’ll be looking a lot at exercise science and associated myths, while I torture myself at the gym. I’ll be doing more picking apart self-improvement tomes in an attempt to find useful titbits. I’m still convinced that most self-help books are vastly inflated pamphlets, so I’ve decided to cut them down to a more appropriate size. For everything I find that seems broadly applicable and that actually works, I’ll be writing it up into a mini-book, that I’ll make available for free. Suitable (or unsuitable) title suggestions are very welcome.

    And thanks to the enthusiastic feedback last time, I’ll also be putting together a couple of posts, or possibly more, during the season break about learning to do art, and how — if you’re not an artist yet — you can very probably get better at drawing than you ever thought possible. And if that sounds like a self-help book blurb, good! It’s true, though.

    Bianca.


    1. As this article explains, the “stages of grief” were actually created to give voice to lived experiences of people suffering from terminal illness. They weren’t conceptualized to be about the loss of loved ones at all.

    2. Season Two will probably be called Swole, or Mad Gainz, or something else enjoyably ridic.